Research & Teaching Resources

Ashley Santore created performance editions, performed, and recorded two pieces of Lynn's music: Conversare fra Viola ed Piano and Pleasantry for Viola and Piano.

Dan Wessler framed his study around two of Lynn's choral settings of Whitman texts: I Hear America Singing, written in 1937, and When the Full-Grown Poet Came, written in 1978.

Recent College of Music Clarinet Performance and Music Education graduate, Anoushka Divekar, debuted Take Two Knees, a virtual concert she and collaborators created from works by Black Female composers.

At Berklee Global Jazz Institute, Greek musicians are leading a rediscovery of intercultural dialogue through music. At the forefront of these efforts is Cretan singer Eirini Tornesaki (also known by her artist name, Erini)

Professor of Piano Pedagogy Alejandro Cremaschi and his students are uncovering a neglected group of composers rarely visible in the world of classical piano music through their new project,“Hidden Voices.” 

Brian Stone edited and arranged George Lynn's music drawing on three poems, "An Ended Day," by Walt Whitman, "Look at the Stars," by Ralf Waldo Emerson, and "Moons Ending," by Sara Teasdale.

Emilie Bertram transcribed, edited, and, with the help of the CU choirs, perform; Being and Breath, written for SATB choir, and Johnny Has Gone for a Soldier, from the AMRC George Lynn Collection.

Isabella Fincher transcribed four works for classical guitar from the George Lynn Collection that showcased the diversity of Lynn’s instrumental works, from atonal to strongly melodic.