News from the AMRC

Recent College of Music Clarinet Performance and Music Education graduate, Anoushka Divekar, debuted Take Two Knees, a virtual concert she and collaborators created from works by Black Female composers.

Otis Taylor plays, "Ten Million Slaves" in the Columbia Cemetery near his home in Boulder, Colorado for the Songs for Change project.

At Berklee Global Jazz Institute, Greek musicians are leading a rediscovery of intercultural dialogue through music. At the forefront of these efforts is Cretan singer Eirini Tornesaki (also known by her artist name, Erini).

Composer and pianist Alex Craig of Broomfield, Colorado died of a sudden heart attack on the evening of Saturday, April 18th. Alex was a part of the musical scene in Boulder from the mid-1960s when he began accompanying music students as an undergraduate at CU-Boulder.

Professor of Piano Pedagogy Alejandro Cremaschi and his students are uncovering a neglected group of composers rarely visible in the world of classical piano music with their project, "Hidden Voices."

In celebration of the College of Music's centennial year, Thomas Riis, Joseph Negler emeritus professor of music who directed of the AMRC from 1992-2018, has written, Music at the University of Colorado: A Brief History.

It is with sadness and a deep sense of personal loss that I share the news of the death of William K. Kearns last Thursday, March 12, at his retirement community in Pinole, California, where he had lived since 2015.

Professor Jacqueline Avila--a musicologist who works with film music and the intersections of cultural identity, tradition, and modernity in the Hollywood and Mexican film industries--will present, "Sombra's Soundscape: Music, Silence, and Nostalgia in Alonso Ruizpalacios's Güeros (2014)."

On the third floor of Norlin Library, tucked away from studying students, four cardboard boxes filled with weathered manila envelopes contain sheet music, scribbled with 100 years’-worth of annotations from past owners.

With special collections ranging from colonial era tunebooks and pirate radio to silent film scores and big band works, the American Music Research Center (AMRC) creates an experience far beyond serving as a research center jointly held by the College of Music and the University Libraries.