Rebecca Maloy specializes in early Medieval music, with interests in plainsong traditions, music theory, and the interaction between theory and practice. She is the author of Inside the Offertory: Aspects of Chronology and Transmission (Oxford, 2009) and a facsimile and commentary on a 12th-century theoretical manuscript. She has published essays in Early Music History, Journal of Musicology, Studia Musicologica, and the collections The Sequences of Nidaros: A Nordic Repertory in Its European Context and The Offertory and Its Verses: Research, Past, Present and Future. She holds graduate degrees in musicology and flute performance from the University of Cincinnati College-Conservatory of Music. Her current projects deal with the transmission and reception of theoretical sources and with aspects of Old Hispanic chant, including a book in collaboration with Emma Hornby, Compositional Planning and Musical Grammar in Old Hispanic Chant.