Daphne Leong

Daphne Leong
Associate Professor of Music Theory
Theory

Imig Music Building 
Office N-131

Daphne Leong is Associate Professor of Music Theory. Her research interests include rhythm, analysis and performance, and the music of 20th- and 21st-century composers, particularly Béla Bartók. Her book Performing Knowledge, supported by a CU Leadership Education for Advancement and Promotion Grant, is forthcoming from Oxford University Press. Her other publications appear in Journal of Music Theory, Perspectives of New Music, Music Theory Online, Theory and Practice, Intégral, Gamut, and Acta Musicologica, as well as in edited collections on Bartók and Ravel. Representative articles are “Time’s ‘Suchness’ in Robert Morris’s Clear Sounds,Perspectives of New Music (2014); “Humperdinck and Wagner: Metric Spaces, States, and Symmetries,” Journal of Music Theory (2007); Leong and McNutt, "Virtuosity in Babbitt's Lonely Flute," Music Theory Online (2005); and "Metric Conflict in the First Movement of Bartók's Sonata for Two Pianos and Percussion," Theory and Practice (1999), for which she received the Young Scholar Award of the Theory Society of New York State.

She has presented papers at the national conferences of the Society for Music Theory, the Performance Studies Network International Conference, the International Conference Bartók’s String Quartets: Tradition and Legacy, the International Conference on Music and Gesture, the International Conference of the Center for Romanian Studies; a keynote at Indiana University’s Special Symposium on Performance and Analysis; as well as invited papers and lecture-recitals at the Hong Kong Academy for the Performing Arts, Brăiloiu Institute of Ethnography and Folklore in Bucharest, University of Kansas, Texas Tech University, and other national and international venues.

She has twice been a Fellow at the Mannes Institute for Advanced Studies in Music Theory (in “Rhythm and Temporality” and “Transformational Theory”), and has undertaken source studies at the Sacher Institute in Basel, Switzerland, the Bartók Archives in Budapest, the Hungarian Ethnographic Museum in Budapest, and the Brăiloiu Institute of Ethnography and Folklore in Bucharest.

Leong is also an active pianist and chamber musician, performing in recent years in the United States, Canada, England, Romania, and Hong Kong. Her repertoire ranges from Bach to premieres of current music; three recent concert programs are May Treacherous Marbles (written for her), Ravel Ma Mère l’Oye, Messiaen Visions de l’Amen (2008); Mozart Quintet for Piano and Winds in Eb, Schoenberg Sechs kleine Klavierstücke Op.19, Mozart Quartet for Piano and Strings in Eb (2006); and the complete Chopin Études Op.25 (2014). In fall 2013 she premiered Morris’s Clear Sounds among Hills and Waters (dedicated to her) on a program that included Andriessen’s Hout and Shende’s Throw Down or Shut Up! She is a founding member of the quartet Throw Down or Shut Up! which presents new music in traditional and non-traditional formats (concert halls, jazz clubs, interactive concerts for children). Her principal teachers were David Burge, Douglas Humpherys, and Robin Harrison. 

Leong has received numerous accolades for her teaching, including the 2013 Excellence in Teaching Award of the University of Colorado Boulder Faculty Assembly. Courses she has created range from graduate seminars on “performance and analysis,” “rhythm and meter,” “analysis of recordings,” and “analysis of music since 1945;” to courses on “theory and analysis of post-tonal music,” “new-music styles and practices,” and core theory and aural skills.

Leong was recently elected Vice-President of the national Society for Music Theory. For the SMT, Leong has also served on the Executive Board, the Publication Awards Committee, the Program Committee, and the Nominations Committee. She was founding chair of the “Performance and Analysis” Interest Group of the SMT, and sits on its Steering Committee. She has organized two special sessions on performance and analysis for SMT national conferences. Leong has also served on the Kraehenbuehl Prize Selection Committee for the Journal of Music Theory, and acted as Program Chair of the Nancarrow Centennial Online Symposium. She serves on the Editorial Board of Intégral.

Leong holds a Ph.D (music theory), M.A. (music theory), and M.Mus. (piano performance) from the Eastman School of Music.

Click here for a list of publications, with links and downloads.

Click here for a list of current concerts.