"The men featured in both images represent North and South Korea. They stand guard inside and outside of a Joint Security Area conference room, while only a thin pane of glass separates two men of once one country." Sandy Lane, Between You and Me, 2018.
"The drapery in these works are an expressive flow of emotion as well as a representation of fabric which covers and protects what lies beneath it." Melissa Furness, Draped, 2018.
"The left side of the diptych depicts the boundary line of the DMZ and the reality of the mountains being off limits. On the right, the same mountains are shown as if in a dream." Trine Bumiller, Heartbreaking Division/Infinite Hope, 2018.
"Cacti employ myriad strategies to protect themselves and their resources from heat, drought, and predators, but are ultimately still vulnerable to all three." Summer Ventis, defensible space II and III, 2018.
"Transience focuses on the space between presence and absence while crossing a borderline." Lourdes Archundia, Transience, 2018.
"In the Kitchen addresses the space where raw food becomes meals, commingling and disagreements, sustenance, consumption, waste." Andrew Connelly, In the Kitchen, 2018.
"On the left is an Aztec with North Korean insignia and on the right is a South Korea with UN insignia. The North Korean offers a gift, and the South Korean offers a bundle of Olive branches." George Rivera, CODEX 2018, 2018
"Temporal Systems attempts to highlight the inadvertent outcome of the absence of humans as a result of conflict, which has allowed for species like the red-crowned crane to be protected and thus thrive." Rachael Delaney, Temporal Systems, 2018.
"I have depicted the inner essence of status and position by the use of light, the sky, clothing and the background elements." Dennis Dalton, Kim Jong-un/Moon Jae-In, 2018
"Everyone has the right of a life. Anybody can put any conditions for it. The big interests of money and power must be end up. Everyone has the right of their own life without conditions and in the best conditions." Arturo Miranda Videgaray, Bursts 1 and 2, 2018.