Roth at CU Boulder says that graduate programs are evolving to reflect students’ changing goals. In the past, most aspired to academic positions or commercial sales through gallery representation. “Now many students are exploring socially engaged, field-based practice, starting their own small businesses instead of going into the academic or gallery world,” Roth explains. “Students are looking for a third way.”
Professor George Rivera created this public art piece—his first ever billboard work—to address hate as a response to the current political climate, Black Lives Matter and the COVID-19 pandemic. It seeks to confront this issue in a simple and straightforward message without specifying any specific group.
For art students, it can feel like the pathway into a career should fall into one of two strictly separate categories: art maker or art historian. Starting in the spring of 2021, however, this divide will be challenged with the arrival of the University of Colorado Boulder’s newest art and art history faculty member, Megan O’Grady, who is also an art critic and essayist for The New York Times.
The works in the exhibition Citizenship: A Practice of Society exemplify how artists act as citizens. The exhibit features five new commissions approaching issues that have become more pressing this year: voter registration, native lands, access to information, legislation on citizenship and human connection. One of these, “Property Rights” by Yumi Janairo Roth, is the artist’s exploration of how our image of public land and the American West is built, maintained, accessed, controlled and delineated.
Assistant Professor in Foundations, Anna Tsouhlarakis, is a 2021 recipient of a prestigious Creative Capital award. Her project, "Indigenous Absurdities" challenges and stretches the boundaries of aesthetic and conceptual expectations to reclaim Native identity through video, performance, photography, and installation.
Ecological disasters often harm the most vulnerable people, animals and ecosystems, and yet this unequally distributed damage remains insufficiently seen, realized and discussed, a group of scholars at the University of Colorado Boulder contends.
From working as a line cook to apprenticing with a violin maker, University of Colorado Boulder ceramics Professor Jeanne Quinn has never followed a straight path but is thrilled to draw upon her diverse experiences as the Department of Art & Art History’s newly appointed chair.
“A lot of my pieces tell a story,” says Boulder artist Melanie Yazzie. “It could be just about taking a walk that morning; it could be about planting flowers. The story doesn’t have to be huge. Sometimes the pieces are speaking about the injustices in the world and what’s happened to women, but sometimes a piece is about centering yourself and noticing the light and thinking good thoughts.”