Annie Oberlies
Artist Statement
Growing up in Denver during a digital revolution has led my interdisciplinary work to explore what it means to be a modern human in a society driven by efficiency and consumerism. My work questions how we make space for individuality and meaning in a world devoid of authenticity and connection. Harnessing my background in neuroscience and psychology, I examine themes of social disconnection, generational trauma, evolution, and power to grapple with how experiences in a mass-produced society embed themselves in our very tissue.
Utilizing largely human scale sculptures encased in a multitude of materials such as plaster, cloth, paint, glue, and more, I challenge the viewer to navigate through the physical impositions of the space while encountering loud, dystopic, and eerie forms. I am continually fascinated by the ways we adapt and find connection in a modern, dystopian world. Using collections of seemingly pointless knickknacks, objects, and materials to which we assign sentimental value, I create sprezzatura, large scale structures of found objects. I aim to confront the viewer with surreal sculptures that ultimately seek to understand the theme of an excessive, consumerist, and disconnected American culture.
Artworks
Bushel, peck, hug, 2025. Snow globes, resin, sheep brains, steel, leather. 19” x 7” x 5”
Self portrait, 2023. Charcoal, paper. 72” x 50”
Social Construction, 2024. Steel rod, plastic. 68” x 77” x 45”
Noun, 2025. Plywood, rags, plaster, joint compound. 73” x 39” x 23”
Apoptosis, 2024. Extruded polystyrene foam, metal rod, foam glue. 69” x 82” x 15”
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