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HUMN 1120 Introduction to Humanities II Literature
Introduces students to works from the major Western literary periods (Baroque, Enlightenment, Romanticism, Realism, Modernism, Post-Modernism) from the 17th- through the 21st-centuries outside their national literary boundaries. Theorizes interdisciplnarity, genre studies, periodization, comparativism, thematology, hermeneutics, criticism, etc.
Credit not granted for this course and HUMN 1020. Approved for Literature and the Arts
HUMN 1220 Introduction to Humanities II Art and Music
Giulia Bernardini, B. Casey
The lectures for the Introduction to the Humanities 1220 course present students with an inter-disciplinary survey of the production of art and music from the Baroque period to the present. As a result of situating major works in their economic, historical, and cultural contexts, students develop the ability to consider visual and musical works not only in terms of their formal or stylistic qualities but most importantly to ponder how these characteristics emphasize the political, religious, and philosophical trends of the periods of production being analyzed. Selected primary and secondary texts from the fields of art history, musicology, art theory, music theory, philosophy, history, science, cultural studies and sociology help to reinforce students’ understanding of the trends under investigation and the methodologies that have been used in the scholarly and ‘mainstream’ discourses around them. The ultimate goal of the course is to familiarize students with the Western humanistic legacy in order to become articulate and analytical cultural critics of the world they inhabit.
HUMN 2100 (3) Arts, Culture and Media
Promotes a better understanding of fundamental aesthetic and cultural issues by exploring competing definitions of art and culture. Sharpens critical and analytical abilities by asking students to read and compare different theories about arts, culture, media, and identity, and then to apply and assess those theories in relation to a selection of visual and verbal texts from a range of cultural and linguistic traditions.
Approved for Literature and the Arts
HUMN 3092 Poetry
Description to come.
HUMN 3104 Film Criticism
Surveys the range and function of film criticism, introduces major positions and concepts of film theory, and focuses on students’ abilities to write about film. Prerequisite FILM 1502. Same as FILM 3104.
HUMN 3200 Fictions of Illness
Examines the ways in which the rise of modern medicine fueled the literary imagination with a new focus, new patterns of perception and potent metaphors. Through a study of various works of fiction, critical theory and medical history, the course traces how medical discoveries and the increasing professionalization of medicine manifested itself in modern literature.
HUMN 3660 The Postmodern
Analyses the cultural and critical practices as well as the thought that defines the postmodern period at the end of the twentieth century. Prereq., HUMN 2000 or junior/senior standing. Approved for the arts and sciences core curriculum: literature and the arts.
HUMN 4004 Topics in Film Theory
See instructor for topic description. Same as FILM 4004.
HUMN 4011 Criminal Hero
Studies various theories of literary transgression by Aristotle, Nietzsche, Freud, Bataille and others to understand the many works, beginning with Genesis and the Iliad and including contemporary works such as Norman Mailer's The Executioners Song and the films of Herzog (Aguirre, Nosferatu) and Scorsese (Taxi Driver, Cape Fear) which feature this paradoxical figure.
HUMN 4135 Art and Psychoanalysis
Explores psychoanalytic theory as it relates to our understanding of literature, film, and other arts. After becoming familiar with some essential Freudian notions (repression, narcissism, ego/libido, dream work, etc.), students apply these ideas to works by several artists (e.g., Flaubert, James, Kafka, Hoffmann, and Hitchcock). Prerequisite, HUMN 2000 or junior/senior standing. Approved for arts and sciences core curriculum: literature and the arts.
HUMN 4170 Fiction and Reality
Reality television, fiction, meta-fiction, virtual reality, magical realism, documentary, propaganda, autobiography, testimonial, digital manipulation of images, robotics—all are popular today for their ability to explore and question the line between fiction and reality. This issue is not a new phenomenon; throughout history humans have tried to understand the distinction between fiction and reality. But our contemporary culture seems particularly interested in both the differences and similarities between the two concepts. In this course we will explore the ramifications of the assumption that a recognizable distinction between reality and fiction exists or that there is no objective way to distinguish the two. With the aid of diverse theoretical sources, we will analyze a selection of literary, scientific, and cultural works in order to see how they define reality and fiction. At the same time, we will think deeply about the nuances involved in and the consequences of these definitions. The goal of this approach is twofold: 1) to arrive at an idea of what these often ambiguous concepts mean in our culture and 2) to be able to critically apply this idea to the problems posed by the questionable status of the separation between reality and fiction. Approved for arts and science core curriculum: literature and the arts.