Posthuman Landscape Studies consists of a set of works spanning text, audio and video that examine several facets of the agent-environment relationship in the heyday of the Industrial Revolution. This period has become an important object of research for me because it saw the emergence of evolutionary theory, mass production and automation, ideas and practices whose importance for our own time is hard to overstate. My installation plays with some documents from that time—photographs, a novel, the recording of an old song—and combines them with more recent technology, like B2’s motion capture system, to create a window into a speculative machinic ecology.