Ph.D., University of Iowa (1998)
M.A., University of Iowa (1994)
B.A., University of Puerto Rico (1991)
Certificate in Filmmaking, New York University (1990)
Dr. Ernesto R. Acevedo-Muñoz is the author of the books West Side Story as Cinema: The Making and Impact of an American Masterpiece (University Press of Kansas, 2013), Pedro Almodóvar (British Film Institute 2007/2009), and Buñuel and Mexico: The Crisis of National Cinema (University of California Press, 2003). His works have appeared in many journals and edited collections including Quarterly Review of Film & Video, Film & History, Lit, Letras peninsulares, Short Film Studies, After Hitchcock, Authorship in Film Adaptation, Contemporary Spanish Cinema and Genre, A Companion to Luis Buñuel, Genre Gender Race and World Cinema, and Hollywood at the Intersection of Identity.
Professor Acevedo-Muñoz is the winner of the Leslie and Woody Eaton Faculty Award for “Excellence in Research in the Humanities and the Arts,” and the Marinus G. Smith “Excellence in Teaching Award” given by the CU Parents
Association. Prof. Acevedo-Muñoz has received multiple teaching recognitions from the National Residence Hall Academic Program, and was a co-winner of the Vice Chancellor’s Diversity and Equity award. At CU he teaches film theory, Latin American and Spanish cinemas and culture, Hollywood genres including “the Hollywood Musical,” “American Horror film,” and the “James Bond” movies, and courses on Luis Buñuel and Pedro Almodóvar, Stanley Kubrick, and Alfred Hitchcock. His feature-length documentary Hillmon’s Bones (2010) was screened competitively at various film festivals, including Big Muddy and the Flagstaff Film Festival, and was broadcast as part of “The Best of Big Muddy” program on PBS affiliate WSIU TV.
Dr. Acevedo-Muñoz has spoken at conferences, meetings, or film festivals in the U.S., the U.K., Spain, Mexico, Canada, Venezuela, and Puerto Rico, his native country. He taught at NYU in Madrid, Spain, at the Cine Club Universitario of the State University of Zulia in Maracaibo, Venezuela, and with the University of Virginia’s “Semester at Sea” Program through nineteen countries and five continents around the world including Brazil, Morocco, Ghana, South Africa, India, Vietnam, China, and Japan. Under his leadership the Film Studies Program was promoted to “Department” status, was granted its new name of “Cinema Studies & Moving Image Arts,” and has received national recognition including mentions in “Best Program” lists from MovieMaker magazine and The Hollywood Reporter.