ENGL 4039-004: Critical Thinking in English Studies, Modernism (Fall 2019)

Instructor: Prof. Laura Winkiel Modernism was born in the little magazines. Though modernism may not have invented this form, it certainly perfected it. Cheap to publish, collective, multi-generic, multi-medial and interspersed with ads, editorials, and readers' letters, the little magazine has been largely eclipsed in the digital age. However, digital...

ENGL 4039-003: Critical Thinking in English Studies, Posthuman/Postnature (Fall 2019)

Instructor: Prof. Karen Jacobs Concerned with developments in the study of literature that have significantly influenced our conception of the theoretical bases for study and expanded our understanding of appropriate subject matter. Repeatable: Repeatable for up to 9.00 total credit hours. Requisites: Requires prerequisite courses of ENGL 2102 and ENGL...

ENGL 4039-002: Critical Thinking in English Studies, Mythology and Modern Literature (Fall 2019)

Instructor: Prof. Marty Bickman The course focus on the prevalence to two mythic patterns and how they persist and are transformed in the literature of the 19th and 20th centuries, the more masculine journey of the hero and the more feminine archetype of Demeter and Persephone. For the former, our...

ENGL 4039-001: Critical Thinking in English Studies, What Is an Author? (Fall 2019)

Instructor: Prof. Thora Brylowe This course examines the construction of the modern author, exploring the relationship between literary books and the people who make them, write them, and read them. We begin at the end, with the death of the author. The first half of the course deals with postmodern...

ENGL 4098-001: Special Topics in the Novel, Post-1900, The Science Novel (Fall 2019)

Instructor: Elisabeth Sheffield “There is no science without fancy and no art without fact.” (Vladimir Nabokov) In this course, we will examine the emerging form of the science novel—that is, the serious literary novel that takes as its subject matter the complex relationships between scientific knowledge and the people who...

ENGL 4048: Modern British and Irish Novel, Public and Private Modernisms (Fall 2019)

Instructor: Prof. Janice Ho This course focuses on one of the most central literary movements of the twentieth century: the emergence of modernism in Britain and Ireland, especially of “high modernism” during the period of 1910 to 1930. Novels written in this historically short, but aesthetically rich, period laid the...

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ENGL 3068: Literature in English 1900-1945, Modernism (Fall 2019)

Surveys major literary trends from 1900-1945 in the Anglo-American tradition, including the characteristics of literary modernism. Covers both prose and poetry, as well as the relationship between literature and history to the close of World War II. Requisites: Restricted to students with 27-180 credits (Sophomores, Juniors or Seniors). Additional Information:...

ENGL 2058: 20th and 21st Century Literature (Fall 2019)

Surveys the major literary trends in prose and poetry from 1900 to the present in the Anglo-American tradition of modern, postmodern, and contemporary literature. Provides students with a grounding in the major authors and motifs of 20th- and 21st-century in literature in conjunction with political and cultural changes across the...

ENGL 4697-002: Special Topics in Multicultural and Ethnic American Literature, Adaptations, Revisions, Remixes

Instructor: Prof. Maria Windell In Colson Whitehead’s Underground Railroad, the system established to help slaves escape literally runs steam engines through subterranean tunnels—a fantastic riff on nineteenth-century reality. The months the protagonist Cora spends hiding in a tiny attic space to small to stand up? They undersell the seven years...

ENGL 3767: Feminist Fictions (Fall 2019)

Examines a series of literary texts to consider how writers across the world have used fiction to creatively stage and reimagine gender and sexuality. Attends to the formal and narrative techniques by which these texts call attention to the fictionality--and thereby the creative malleability--of gender itself. Some cinematic and performance...

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