English

Modernism: The Basics provides an accessible overview of the study of modernism in its global dimensions.

"It’s encouraging to land top spots nationally year after year for our outstanding graduate offerings in rankings like this one," said Ann Schmiesing, dean of CU Boulder’s Graduate School and vice provost for graduate affairs.

Thora Brylowe told her students they’d complete three separate, significant projects during the semester, each in collaborative fashion. The results would be experienced by the public in three distinct media formats: books, pictures and the internet.

Bringing together Mary Klages's bestselling introductory books Literary Theory: A Guide for the Perplexed and Key Terms in Literary Theory into one fully integrated and substantially revised, expanded and updated volume, this is an accessible and authoritative guide for anyone entering the often bewildering world of literary theory for the first time.

A one-sided epistolary novella whose speaker writes to an ex-lover’s ex-lover begins this volume, and Carr charges these unanswered, unanswerable letters with inquiries that permeate the book: How do we understand grief, obsession, the very nature of forgiveness? Why confess? Whom does my confession benefit? For whom do I intend it?

Walking through his own house at night, a twelve-year-old thinks he sees another person stepping through a doorway.

Paul McCartney spent three minutes singing “nah, nah, nah, na na na nah” in “Hey Jude.” Some might find that repetitious. Adam Bradley says it’s poetry.

Paul Youngquist has returned safely from outer space with A Pure Solar World: Sun Ra and the Birth of Afrofuturism, a study of one of the most original and influential musician/composers to have graced our solar system.

Hamstra will one day be an ecocriticism scholar for an English department not unlike the one here at CU Boulder, “or maybe this exact one,” said Hamstra.

Jeffrey N. Cox reconsiders the history of British Romanticism, seeing the work of Byron, the Shelleys, and Keats responding not only to the 'first generation' Romantics led by Wordsworth, but more directly to the cultural innovations of the Napoleonic War years.