By renee hoogland »»» This essay brings together the constitutive operations of language (or discourse) and the critical function of feelings in questions of meaning and be(com)ing, by connecting the figure of the queer adolescent in Bowen with the equally queer operations of her writing, with her novels as aesthetic events. Its purpose is to posit adolescence as a particular structure of feeling that, in the assemblage of Bowen’s writing, at once mobilizes the stylistic operations of her prose and that, no less forcefully, (over)determines the singularity and materiality of her novels’ aesthetic effects.
By renee hoogland »»»