Late Intermediate
"Prankster" by Mable Bailey is a short and lively atonal composition. Its duration is around one minute and forty-five seconds. The title of the composition describes its characters very well; it is odd, eccentric, and
"Azuretta" by Regina Baiocchi is a rather sentimental and romantic piece in its outer sections, with a contrasting, harsh and dissonant middle section. The composition is notated "rubato" and "dolce". It's tempo is
“Flight” was written by Perry in the 70s. This is a 4 page late intermediate piece that should be played in a fast tempo (presto). It explores the range of the piano from E1 to F#7. It involves lots of chromatic pitches and dissonant harmonies. The
Mr. “Satchmo” is a two-page work inspired by Louis Armstrong, a famous and influential American trumpeter, vocalist, and composer within Jazz. In measures three, four, seven, and eight, the right hand line imitates the style
“Cancion De La Havana” is about two and a half pages long, and features the Western African (Nigerian) rhythmic pattern, which is basic for Afro-Cuban idioms. Measures 38-53 pulls strong influence from Cuba and Puerto Rico,
“Bossa Brasilia” is two pages long and is inspired by the bossa nova from Brazil, which is a two measure rhythmic pattern in 4/4 time that doesn’t actually occur in this piece. The flavor and feeling is created through
“Blue Bird” is dedicated to Charlie “Bird” Parker and is a modern or chromatic blues consisting of twelve bars, which is like traditional blues but is expanded harmonically to include one or two chord changes in every bar.
“Cool-Trane” is a two page work inspired by John Coltrane and the title is a play on words on his name. This piece is the most difficult and most dissonant piece in the collection, and a performer needs to be familiar with
“Dance” for piano is a 4 page piece in 6/8 time, that sometimes switches to 9/8. It is marked presto, and has the feeling of two or three larger beats per measure. The writing is rhythmic, and could be a good introduction to