Ann Kibbey

[1] “About 15,000 to 20,000 people who had taken shelter at New Orleans convention center grew increasingly hostile after waiting for buses for days amid the filth and the dead,” reported the New Orleans Times-Picayune on Thursday, September 1, 2005

[1]   The Verdict (1982), directed by Sidney Lumet, is not the kind of film that has received attention from feminists. Unlike Alfred Hitchcock’s films (a repeated source of inspiration for psychoanalytic feminist film theory),