2010

[1] When I first heard about the Post Abortion Syndrome (also known as Post Abortion Stress Syndrome) as a strategy used by American anti-choicers, I did not give it much thought. There were by far greater issues to worry about in my own backyard.

Introduction: Situating Monique Wittig[1] Following Monique Wittig’s sudden death in 2003 there has been a flurry of criticism paying homage to the importance of her work, rightly situating it as a crucial contribution to gender and sexuality

[1] Eighteenth-century court records and periodicals provide glimpses of the bodies of women who cross-dressed and married other women, the so-called female husbands whose bodies challenged emergent categories of sex, gender, and sexuality. Mary

[1] This article addresses gender and popular music-making in the city of Hamilton, New Zealand, a moderately prosperous provincial city (population 130,000) which services a large rural sector (the Waikato). Starting from the observation that few

[1] Although a prolific professional writer and perennial breadwinner for a large household, Margaret Oliphant (1828-1897) has not been easily claimed as a proto-feminist. Her tremendous industry and independence stand in contrast to the

Oh, my God. Oh, my God. I’m sorry. This moment is so much bigger than me. This moment is for Dorothy Dandridge, Lena Horne, Diahann Carroll. It’s for the women that stand beside me, Jada Pinkett, Angela Bassett, Vivica Fox. And it’s for every

[1] At first she looks like a transient, slouching in an alley.  Her hair is disheveled, her face dirty, and her clothing in disarray.  But the sudden flashing of a photographer’s bulb suggests otherwise.  The Manhattan alley in which

[1] Feminist fiction emerged in both the United States and Great Britain during the height of the second wave feminist movement, marking its entrance with demands for female autonomy, sexual and reproductive freedom, and a cautionary perspective on

[1] On 27 March 1995 Nigel Hawthorne did not win a Best Actor Oscar for his role as George III in Nicolas Hynter’s The Madness of King George (1994).  In an interview with the American magazine The Advocate a week earlier,

[1] The author of five novels (the first of which was published in 1978) and numerous stories, essays, and articles, Jane DeLynn has had a respectable, if not prolific, literary career.  She has attracted little critical attention, however,