identities

(part of a series in Special Issue #40: Scared of the Dark: Race, Gender and the “Horror Film” – Guest Editor: Frances Gateward)[1] Jonathan Demme’s Beloved (1998), a film which tries to cope with the trauma of slavery

(part of a series in Special Issue #40: Scared of the Dark: Race, Gender and the “Horror Film” – Guest Editor: Frances Gateward)[1] In periodizing film studies as a modern/modernist phenomenon simply because film technology emerges at

(part of a series in Special Issue #40: Scared of the Dark: Race, Gender and the “Horror Film” – Guest Editor: Frances Gateward)[2] For adults there are the novels of vampire lore in the style of classic horror, such as Richard Laymon’sThe

Introduction[1]   Both the movements and the settlements of the tremendous populations who live outside their country of origin, estimated at 150 million, have been of worldwide concern, as displaced groups exert striking influence well

[1]   A striking thing seems to be happening in contemporary male dance films. In the 1990s and into the new millennium, men suffering from masculinity crises often engage with dance in order to once again make a credible claim to their

[1]   BERELOWITZ: You make the argument that Eakins’s paintings are an attempt to negotiate – indeed, to refashion – Gilded Age conceptions of masculinity. Could you set out for us what was the dominant understanding of masculinity when

[1]   Genres of expression favored by female authors in Japan such as science fiction and manga (graphic novel) have long been classified as subcategories of so-called subculture with labels like girls’ manga and female sci-fi writing.

(part of a series in Issue 35: Masculinity and Labor Under Capitalism – Edited by DONALD MORTON)1]   The view that there is a crisis of masculinity is often associated with a discourse that demonises men, especially young men, as

(part of a series in Issue 35: Masculinity and Labor Under Capitalism – Edited by DONALD MORTON)[1]   There are a myriad ways to understand the importance of masculinity for Marxism, including whether one is interested in the

(part of a series in Issue 35: Masculinity and Labor Under Capitalism – Edited by DONALD MORTON)“The research university is structured like a nuclear family: the scientists are the dads, and they go out and make the money, and the