Brett Farmer

[1] Farmer: The affinities between gay male cultures and the Broadway musical are so widely acknowledged that, in popular imaginings, one has become all but indexical of the other. The primary objective—and, in so small measure, the value—of your

[1]   FARMER: If as Susan Sontag claims in a celebrated formulation, “to talk about Camp [is] to betray it” (105), contemporary cultural theory might seem the site of a veritable mass treason. From Sontag’s own seminal contribution onward