Matthew Bannister

[1] This article addresses gender and popular music-making in the city of Hamilton, New Zealand, a moderately prosperous provincial city (population 130,000) which services a large rural sector (the Waikato). Starting from the observation that few

[1] Writing in issue 38 of this journal, Debali Mookerjea-Leonard suggested that Hindu nationalists in pre-Independence India engaged in “a process of myth-making whereby feminine sexual purity was endowed with the status of the transcendental