literature
- [1] In his oft-cited defense of metaphysical poetry T.S. Eliot provocatively comments on what he terms a seventeenth-century “dissociation of sensibility,” an aesthetic sea change “from which we have never recovered” (288). For Eliot, the
- [1] To the marriage of true minds, romance fiction has not admitted many impediments. The genre has long relied on the marriage closure in the tradition of the fairytale happily-ever-after, and because love and marriage continue to “go together” in
- Misfortune and Men’s Eyes: Voyeurism, Sorrow, and the Homosocial in Three Early Brian De Palma Films[1] In her groundbreaking essay “When the Woman Looks,” Linda Williams argues that “Brian De Palma’s film Dressed to Kill extends Psycho‘s premise by holding the woman [Kate Miller, played by Angie Dickinson] responsible for the
- [1] The discourse of feminism since at least the last two decades of the twentieth century has had to combat repeatedly questions of “conformity” and “happiness”: if feminism must work against patriarchy, must women reject, in full, every aspect of
- [1] Although no critic has noted this, it still appears trite and painfully embarrassing to proclaim: “There are no lesbians in Chinese societies.” After all, it is almost a cliché to argue that sexuality is a construct. Thirty years ago, Michel
- [1] THOMA: In your book, Mothers Without Citizenship: Asian Immigrant Families and the Consequences of Welfare Reform, you analyze how a new nativism and foreigner racialization intensified in an anti-immigrant movement in the mid 1990s, a
- (part of a series in Special Issue #48: GOING CHEAP? Female Celebrity in Reality, Tabloid and Scandal Genres – Edited by DIANE NEGRA and SU HOLMES)In the lives of many young people, that person [responsible for curbing bad behaviour]
- [1] Teaching in rural Ohio, I have been surprised by the number of students who become pregnant, defying the current trend towards delaying motherhood. It is easy for those of us educating these students to shake our heads sadly, reflecting on the
- “Children can feel, but they cannot analyze their feelings.”–Charlotte Bronte, Jane Eyre (24).“Neither Charlotte nor Emily Bronte was, at the time of writing Jane Eyre and Wuthering Heights, in a position to experience or
- [1] DP: Let me start by thanking you for agreeing to talk about your book with me. I found Semiotics Unbounded a really fascinating attempt to synthesize a lot of material in the field of semiotics that will be unfamiliar