identities

Introduction[1]   The emergence of Taslima Nasrin's feminist writings inaugurates one of the most controversial moments in the scene of Bangladeshi literature. The news of her exile from Bangladesh in August, 1994, drew considerable

[1]   Truth seems to be a phoenix in Western civilization. No matter how many particular truths are destroyed by a new vision or discredited by time, the ideal of truth reasserts itself in the human imagination. Indeed, even the periodic

[1]   Fathers and fatherhood have long played an important role in the thinking and theorizing about law. From Abraham and Isaac to Supreme Court cases, like the now famous DeShaney v. Winnebago,1 it seems that everywhere we turn law

[1]   Buried within the political platforms of Elizabeth Dole are two distinct and competing conservative ideologies about gender and the role of women in society. On the one hand, Dole refers to an explicitly Christian paradigm when

[1]  JAGOSE: The critical efficacy of the phrase "female masculinity" obviously derives, in large part, from its flaunting of its oxymoronic effect. Yet–post-Butler and the near-universal critical, political and sub-cultural mobilisation of her

[1] Close your eyes and imagine: There is a group of kids at school. They threaten other students, play war games on campus, revel in violent imagery, boast of multiple weapon ownership, respond to special phrases and symbols and all wear clothing

Bobby takes the little cuz to a T.J. beauty shop. Get rid of the pigtails. Get rid of the Chinagirl look. Get a cut looking like Rafaela. That's it. Now get her a T-shirt and some jeans and some tennis shoes. Jeans say Levi's. Shoes say Nike. T-

[1]  Recently, on an electronic discussion list operated by the American Conference for Irish Studies, one of the members posted a request for information on "the alleged homosexuality of Michael Collins," one of the primary leaders of the

[1]  In the Spring of 1988 a group of women in the contiguous border cities of San Diego and Tijuana established a collective to which they later gave the name Las Comadres.1 For three years they met at venues on both sides of the border,

[1]  Avant-garde chronicler, arbiter, and participant Carl Van Vechten produced myriad texts during a career deeply imbricated in those issues of race, gender, class, and sexuality that continue to complicate critical understanding of the early