Annamarie Jagose

[1]   JAGOSE: Your book, Fashioning Sapphism: The Origins of a Modern English Lesbian Culture, constructs a genealogy of what you term Sapphic modernity. The 1928 obscenity trial of Radclyffe Hall’s The Well of Loneliness is

[1]   JAGOSE: Your book on gay male spectatorships notesthe cultural persistence, both homophobic and anti-homophobic, in reading the movie fan and the male homosexual in terms of each other. (figure 1) Indeed, a couple of times you offer

[1]   JAGOSE: Given the Motion Picture Production Code’s determination to corral “sex perversion” outside the cinematic field of vision, classical Hollywood cinema might not seem a promising archive for the consideration of lesbian

[1]   JAGOSE: On the pink-jacketed cover of The Trouble with Normal are a rank of plastic male dolls, alternately dressed in a groom’s formal white dinner jacket and black bow tie or a leatherman’s motorcycle cap and bondage chest straps.

[1]  JAGOSE: The critical efficacy of the phrase "female masculinity" obviously derives, in large part, from its flaunting of its oxymoronic effect. Yet–post-Butler and the near-universal critical, political and sub-cultural mobilisation of her