Article Archive 

Phallic Nationalism: Limits of Male Homosocial Desire in A Spy on Mother Midnight

Aug. 1, 2012

[1] In this essay, I am interested in how changing expectations of masculinity are reflected in the erotic text A Spy on Mother Midnight; or, the Templar Metamorphosed and parts two and three of that text, printed the same year, A Continuation of Mr. F—‘s Adventures in Petty-Coats and A...

Performing Countercultural Masculinity: Mick, Music and Masquerade in Gimme Shelter

June 1, 2012

[1] Years before MTV, baby boomer audiences consumed images of themselves in widely popular rockumentaries that have since become key documents in our understanding of youth and music cultures of the past. In particular, the 1970 film Gimme Shelter, directed by Albert and David Maysles with Charlotte Zwerin, has been...

Feminism, Postfeminism, Liz Lemonism: Comedy and Gender Politics on 30 Rock

May 1, 2012

[1] The title of Tina Fey's humorous 2011 memoir, Bossypants, suggests how closely Fey is identified with her Emmy-award winning NBC sitcom 30 Rock (2006-), where she is the "boss"—the show's creator, star, head writer, and executive producer. Fey's reputation as a feminist—indeed, as Hollywood's Token Feminist, as some journalists...

The Gender Entrapment of Neoliberal Development

March 1, 2012

Introduction: The new folk devils [1] In Policing the Crisis: Mugging, the State, and Law and Order, their classic application of cultural studies, political economy, and critical race studies to the interrogation of "crime," Stuart Hall and his co-authors from the Centre for Contemporary Cultural Studies at the University of...

Trifles, Abominations, and Literary Gossip: Gendered Rhetoric and Nineteenth-Century Scrapbooks

Feb. 1, 2012

We Perceive, by the last London Atlas, that scrapbooks and albums are going entirely out of fashion in England. This is one of those foreign examples, which, we trust, will be enthusiastically followed here. We give this information thus early for the government of misses in their teens, scribblers of...

Queering Couplehood: Robert & John Allerton and Historical Perspectives on Kinship

Jan. 3, 2012

[1] On March 4, 1960, Robert Allerton became a father. He was 86 at the time and his newly adopted son, John Wyatt Gregg, was 60. They had met 38 years previously at a "Father-Son" fraternity banquet at the University of Illinois where the single and childless Allerton, 49, had...

Policing Black Women’s Sexual Expression: The Cases of Sarah Jones and Renee Cox

Nov. 1, 2011

[1] The history of black feminist theory relates black women’s sexuality as silence or dissemblance (Hammonds, Hine, Spillers). With continued sexual exploitation of black women and girls, increasing attention to male rape in prisons, misogyny in popular culture, and homophobia in black communities, the discourse of silence reigns supreme, but...

From Rugged Individual to Dishy Dad: Reinventing masculinity in Singapore

Oct. 1, 2011

[1] Images of ideal masculinity in Singapore are, as in any society, unstable and subject to ongoing modification. Local imperatives have brought about adaptations to normative masculinities, but interaction with global dynamics and market forces has also introduced new possibilities for the reinscription of masculinity. The rise of the “New...

Bawdy Technologies and the Birth of Ectoplasm

Sept. 1, 2011

[1] By the late nineteenth century, Spiritualism, a religious movement that promised communication with the dead through spirit mediums, had attracted a broad range of prominent followers like the American suffragist Victoria Woodhull, the British naturalist Alfred Russel Wallace, and the beloved creator of Sherlock Holmes, Arthur Conan Doyle. Although...

British Science Fiction Television in the Discursive Context of Second Wave Feminism

Aug. 1, 2011

[1] The notion of genre has long proved useful as an organising category for scholars approaching popular British television drama. For example, relatively early academic work on the soap opera (Dyer, Ang, Geraghty), the detective or police series (Clarke, Sparks) and the costume drama (Brandt), placed these popular genres firmly...

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