The Horrors of Remembrance: The Altered Visual Aesthetic of Horror in Jonathan Demme’s Beloved.

Sept. 1, 2004

(part of a series in Special Issue #40: Scared of the Dark: Race, Gender and the “Horror Film” – Guest Editor: Frances Gateward ) [1] Jonathan Demme’s Beloved (1998) , a film which tries to cope with the trauma of slavery, is a horror film in that it uses, and...

Technologies of Race: Special Effects, Fetish, Film, and the Fifteenth Century

Aug. 1, 2004

(part of a series in Special Issue #40: Scared of the Dark: Race, Gender and the “Horror Film” – Guest Editor: Frances Gateward ) [1] In periodizing film studies as a modern/modernist phenomenon simply because film technology emerges at the end of the nineteenth century, film scholars sometimes miss the...

Daywalkin’ Night Stalkin’ Bloodsuckas: Black Vampires in Contemporary Film

July 2, 2004

(part of a series in Special Issue #40: Scared of the Dark: Race, Gender and the “Horror Film” – Guest Editor: Frances Gateward ) [2] For adults there are the novels of vampire lore in the style of classic horror, such as Richard Laymon’sThe Traveling Vampire Show; the eroticized tales...

Multiplicity and Its Discontents: Feminist Narratives of Transnational Belonging

April 1, 2003

Introduction [1] Both the movements and the settlements of the tremendous populations who live outside their country of origin, estimated at 150 million, have been of worldwide concern, as displaced groups exert striking influence well beyond their numbers on the identities, economies, and politics of nation-states. Within the expanded body...

‘Oi. Dancing Boy!’ Masculinity, Sexuality, and Youth in Billy Elliot

Jan. 15, 2003

[1] A striking thing seems to be happening in contemporary male dance films. In the 1990s and into the new millennium, men suffering from masculinity crises often engage with dance in order to once again make a credible claim to their masculinity. So pervasive is this trend in films like...

Refashioning Masculine Identity: Jo-Anne Berelowitz interviews Martin Berger about his book, Man Made: Thomas Eakins and the Construction of Gilded Age Manhood.

Jan. 2, 2003

[1] BERELOWITZ: You make the argument that Eakins’s paintings are an attempt to negotiate – indeed, to refashion – Gilded Age conceptions of masculinity. Could you set out for us what was the dominant understanding of masculinity when Eakins was embarking on his career in the 1870s and what shift...

Japan’s Feminist Fabulation: Reading Marginal with Unisex Reproduction as a Key Concept

Sept. 1, 2002

[1] Genres of expression favored by female authors in Japan such as science fiction and manga (graphic novel) have long been classified as subcategories of so-called subculture with labels like girls’ manga and female sci-fi writing. From the sheer number and variety of works penned by female creators in these...

There is No Masculinity Crisis

Jan. 25, 2002

(part of a series in Issue 35: Masculinity and Labor Under Capitalism – Edited by DONALD MORTON) 1] The view that there is a crisis of masculinity is often associated with a discourse that demonises men, especially young men, as pathological. This discourse reinforces the case for greater social control...

What is Prior? Working-Class Masculinity in Pat Barker’s Trilogy

Jan. 20, 2002

(part of a series in Issue 35: Masculinity and Labor Under Capitalism – Edited by DONALD MORTON) [1] There are a myriad ways to understand the importance of masculinity for Marxism, including whether one is interested in the analysis of gender and sexuality in divisions of labor or mutations of...

Gender, Class and the Humanities in the Corporate University

Jan. 10, 2002

(part of a series in Issue 35: Masculinity and Labor Under Capitalism – Edited by DONALD MORTON) “The research university is structured like a nuclear family: the scientists are the dads, and they go out and make the money, and the humanists are the moms, and they stay home and...

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