The Horrors of Remembrance: The Altered Visual Aesthetic of Horror in Jonathan Demme’s Beloved.

Sept. 1, 2004

(part of a series in Special Issue #40: Scared of the Dark: Race, Gender and the “Horror Film” – Guest Editor: Frances Gateward ) [1] Jonathan Demme’s Beloved (1998) , a film which tries to cope with the trauma of slavery, is a horror film in that it uses, and... Read more »