Mystically Perverse: Towards a Queer Semiology of Breton Male Bodies

April 1, 2005

Paintings are not mere illusions about the world but determined and produced allusions to it. Art history must acknowledge these complexities and work on these real social processes, significations and their interactions and relations. Art history which is also a practice of representation must provide complex accounts (Orton and Pollock,... Read more »