Race, Gender and Terror: The Primitive in 1950s Horror Films

Dec. 1, 2004

(part of a series in Special Issue #40: Scared of the Dark: Race, Gender and the “Horror Film” – Guest Editor: Frances Gateward ) [2] Neil’s transformation is not just from white to black but from modern to primitive. At first, Neil believes that he has Chippewa blood in his... Read more »