Becoming My Own Ghost: Spinsterhood, Heterosexuality and Sarah Waters’s Affinity

March 1, 2007

[1] The prominence of the ‘ghostly’ in Affinity, Sarah Waters’s 1991 neo-Victorian gothic fiction of female same sex desire, might be read as a fantastic fictional evocation of a recurring trope in lesbian feminist literary history and historiography: the historical ‘invisibility’ of lesbian identity. However, I wish to explore the...