Understanding children's funds of identity as learners through multimodal self-expressions in Mexico City

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Abstract

This qualitative study examined the multimodal self-expressions of 39 students in grades 4th–6th attending public schools in Mexico City. Students' shared perspectives of their learning environments and of themselves as learners throughout their teachers' participation in a program designed to shift traditional teacher-centered practices toward co-constructions of learning spaces that are conducive to dialogue, reflection, and socio-emotional awareness through art and narratives. Drawing from a multimodal social semiotics and funds of identity theoretical framework, we analyzed students' responses to three prompts that elicited their perspectives regarding their own learning and their learning environments. Prompts were completed at three different points in time during one school year. Findings include: (1) changes in classroom configurations illustrating teacher-student relationships, (2) the emergence of additional materials and resources for learning, (3) variation in the learning approaches preferred by students, and (4) expanded purposes and motivations for learning. This study illustrates how student-centered pedagogies and teacher-mediated learning processes can mobilize students' funds of identity for learning by co-constructing knowledge and connecting to students' experiences through dialogue and art.

Introduction

Children's learning experiences are enhanced when pedagogical approaches integrate their identities, life experiences, and agency as learning resources (Adair, 2014; Ladson-Billings, 1995; Moll, Amanti, Neff, & González, 1992). Nonetheless, traditional approaches that center the teacher as the transmitter of knowledge and position students as blank slates—a banking model of education—continue to dominate educational systems globally (Freire, 2018). Consequently, student-centered pedagogy has been the focus of many global educational reforms (Anderson-Levitt, 2008), to varying levels of success (Gauthier & Dembelé, 2004). In Mexico, the location of this study, national education reforms over the past decade have indeed shifted toward more constructivist perspectives that emphasize participation, interaction, and the holistic development of student competencies, including socio-emotional development (Secretaría de Educación Pública, 2018). However, the teacher-centered classroom structures addressed by past reforms have been slow to transform and continue to be deeply ingrained in daily practice (Blanco Bosco, 2011; Patrinos, 2007; Zorrilla, 2002).

One of the central challenges of implementing student-centered pedagogy lies in the process of revising the teacher-student relationship (Bartlett, 2005). For the past 25 years, a social enterprise in Mexico, La Vaca Independiente (LVI), has worked to shift the role of teachers by orienting their pedagogical practices toward more student-centered and equitable approaches that invite students' experiences into the learning process, promote collaboration, and integrate the use of multimodal resources such as art and dialogue. LVI's instructional program—Desarrollo de la Inteligencia a través del Arte (DIA) [Development of Intelligence through Art, DIA]—aims “to create a learning space in which oral expression, participation, and collective construction of knowledge are fostered to promote the integral development of language and thinking skills, as well as social-emotional skills” (La Vaca Independiente, 2017). The methodology of the DIA program aims to shift the focus of teaching from a model of transmitting knowledge to that of mediating learning. Teaching as mediation involves navigating the dialogic relationships between a set of stimuli and the learner, recognizing the individual's learning processes so as to modify engagement accordingly (Tzuriel, 2012; Vygotsky, 1978). Through mediation, teachers adapt the instructional materials to expand learners' awareness and understandings. This study examined students' perceptions of their own learning experiences while their teachers integrated mediation processes as a pedagogical approach in their classrooms.

This study examined the written and pictorial reflections of 39 4th–6th graders in Mexico City, which were created during the eight weeks that their teacher participated in the DIA training program. Additional reflections and responses were collected from the same 39 children six months later at the end of the school year. The focus of this study is to examine how students' perceptions of their learning experiences and as learners themselves changed over time. The research questions that guided this study were:

  • 1.

    In what ways does the development of teachers who receive the DIA training promote learning among students?

  • 2.

    How do children's multimodal self-expressions depict learning, themselves as learners, and their classroom as a learning environment across time?

  • 3.

    How are students' funds of identity evident in their reflections?

Section snippets

Theoretical framework

In this research, we conceptualize learning as changing forms of participation in changing communities of practice (J. Lave, 2012). This definition is responsive to the contextualized and dialogic nature of learning by attending to both practice(s) and the dynamic contexts in which learning is applied. For learning to be consequential, it needs to draw on learners' background knowledges and experiences, and create pathways for students to extend learning in personally and culturally relevant

Desarrollo de la Inteligencia a través del Arte: DIA (Development of Intelligence through Art)

This article reports on findings from data collected from students whose teachers participated in a teacher professional development program, Desarrollo de la Inteligencia a través del Arte, (DIA) [Development of Intelligence through Art], when a research partnership between the University of Colorado and La Vaca Independiente initiated and a larger study was conducted in 2018–2019 to examine teacher's experiences as they participated in the DIA program. La Vaca Independiente (LVI) is an

Participants

The participants in this study were 39 children in grades 4–6 in the classrooms of 13 teachers who participated in the DIA program in the fall of 2018 (three students per teacher). Participating teachers were 4th, 5th, or 6th grade teachers in public schools who had not previously participated in DIA training or other social and emotional learning teacher education programs. These 13 teachers were part of a larger mix methods study that examined the effects of the DIA program on teachers'

Findings

In this section, we discuss main findings related to students' meaning-making processes and funds of identity, as they engaged with additional tools and resources for learning over time in the DIA program. Findings include the following: (1) changes in classroom configurations illustrating teacher-student relationships, (2) the emergence of additional materials and resources for learning, (3) variation in the learning approaches preferred by students, and (4) expanded purposes and motivations

Discussion

This study sought to explore how students define and construct their identities as learners, as well as their perceptions of learning and learning environments while their teachers implemented DIA lessons that were designed to elicit students' experiences and funds of knowledge as resources for learning. Students' identities and how they define and present themselves as learners were also socially and historically constructed (M. Esteban-Guitart, 2012). Students who initially referred to

Conclusion

In summary, in exploring students' multimodal expressions and reflections of learning in Mexico City as part of the DIA program, this study illustrates how student-centered pedagogies and teacher-mediated learning processes facilitate students' funds of identity through dialogue, art, socio-emotional awareness, and the co-construction of knowledge. Our findings suggest that emphasizing art and dialogue as a mediating tool for learning encourages strong personal connections to the content of the

Funding

The author(s) disclosed receipt of the following financial support for the research, authorship, and/or publication of this article: This work was supported by La Vaca Independiente [grant number OCG6644B].

Declaration of competing interest

The only potential conflict of interest to disclose is the funding source of this research was the organization that we studied. We developed this study as a partnership and have ensured research ethics and integrity during all phases of the research study. Our partnership with the focal organization ensured that we developed contextually and culturally relevant approaches to research design and data collection. However, the funding sponsor did not participate in data analysis or reporting. All

Acknowledgments

Our deepest gratitude to all the participants in this study and to La Vaca Independiente in Mexico City. We are also very grateful to Michelle Shedro, Emily Price and Willow Schram for all their support and contributions to the study.

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