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This page constitutes an extension of the copyright page
STANDARDS Volume V, Number 1 (1995)

Works included are copyright © 1990, 1991, 1992, 1993, 1994, 1994, 1995, 1996, 1997, 1998 by STANDARDS: The International Journal of Multicultural Studies
and the Individual Contributors. Copyright renewed 2002.
All rights reserved.

This cyberjournal is now accessible exclusively online, via the World Wide Web. The above copyright expressly restricts usage of the contents of this online publication: no part of this cyberjournal may be reproduced for profit or redistributed in any altered form. All rights are retained by the individual contributors and the STANDARDS Editorial Collective, a not-for-profit organization. It is illegal to reproduce any image, text, sound, or other portion of this cyberjournal in any form--including but not limited to print publications, online publications, software, and other commercial ventures--without written permission from the contributor. Verbatim copies of these documents may be printed for non-commercial usage, provided the copyright information for each work remains intact. Contact the STANDARDS editorial office at the e-mail link below, with questions, requests, comments, or submissions.

The works listed below are appearing in their current forms for the first time in the online version of STANDARDS, as Volume V, Number 1, 1995, by permission of the authors:

"A Meditation on the IRC, Incest, and Netsex" © 1995 by Jay Berg; "Gravity" © 1995 by Canéla A. Jaramillo; "Isolated Instances: A Fiction Triptych: 'First Fiction,' 'I Promise I Will Make It Up to You,' and 'Reparations'" © 1995 by Canéla A. Jaramillo; "Jamal and Torrance," "Dancers," and "Erika" © 1995 by Toni Long; "Photo Series: Black and White," © 1995 by Cynthia Martinez; "Purple Irises" © 1995 by Jack A. Urquhart; "The Feeling of Breathlessness" © 1995 by Jack A. Urquhart.

The following works first appeared in STANDARDS, Vol. I, 1990-91; Vol. II, 1991-92; Vol. III, 1992-93; Vol. IV 1993-94, and are each reprinted here by permission of the authors:

"Portrait of a Modern Day Seminarian," © 1991, 1995 by Dan Bejesky; "Incense" © 1990, 1995 by M.F.G. Bolton; "The Secret Male Fantasy" © 1991, 1995 by M.F.G. Bolton; "More than Crazy" © 1992, 1995 by William Bray; "Muscogee Love Song" © 1993, 1995 by William Bray; "Uncle Willie's Teeth" © 1993, 1995 by William Bray; "A World We Never Made: The Academy Through Indian Eyes" © 1992, 1995 by William Bray; "Selected Poetry" © 1993, 1995 by Frances Brown; " "STANDARDS: An Early Critical Introduction" © 1991, 1995 by Cordelia Candelaria; "Compassion" © 1991, 1995 by Lydia Copely; "The Still Water: A Radio Play" © 1992, 1995 by Jim Davis-Rosenthal; "An Elegy for Audre Lorde" © 1993, 1995 by Jim Davis-Rosenthal; "Moments of Grace" © 1993, 1995 by Paul Eberly; "An Athlete Said, 'Fat is Hell'" © 1992, 1995 by Elcee; " Candy Girls" © 1992, 1995 by Carrie Evans; "Where Am I" © 1991, 1995 by Joseph Flies-Away; "Rice," © 1991, 1995 by G. Jack Ferguson; "Like a Carmen Lomas Garza Painting: El Plan de Carlos" © 1993, 1995 by Teodoro Flores; "Taking" © 1991, 1995 by P. Gan; "A Tribute to Audre Lorde: Introduction" © 1993, 1995 by Melinda Goodman; "I Have Learned From Audre About the Uses of the Erotic" © 1993, 1995 by TK Grayson; "Beautiful Cloud" © 1993, 1995 by Shu-Huei Anne Chiang Henrickson; "Letter to Audre Lorde" © 1993, 1995 by Essex Hemphill; "Deseo" © 1992, 1995 by Mario Huerta; "Ultimos Instantes" © 1992, 1995 by Mario Huerta; "Service, Substance, and Sustenance: Notes Toward an Understanding of Voice, Rhetoric, Action, and Decorum" © 1992, 1995 by Canéla A. Jaramillo; "On Pedagogy and the Uses of Anger" © 1993, 1995 by Robin Jones; "Frustration and Anger," © 1991, 1995 by Mike Kobayashi; "Campus Minority Rules" © 1992, 1995 by Mike Kobayashi; "Meringue" © 1993, 1995 by Caroline Linder; "Jamal and Torrance" © 1992, 1995 by Toni Long; "Reading in Spring" © 1992, 1995 by Toni Long; "Lovers" © 1992, 1995 by Toni Long; "Raquel: Back" © 1992, 1995 by Toni Long; "Making Love to Concrete" © 1993, 1995 by Audre Lorde; "Inheritance--His" © 1993, 1995 by Audre Lorde; "The Electric Slide Boogie" © 1993, 1995 by Audre Lorde; "Oye Gringito" by Angela Victoria Manzanares © 1990, 1995; "Chicana Politics in U.S. Society" © 1991, 1995 by Angela Victoria Manzanares; "To Gloria" © 1991, 1995 by Angela Victoria Manzanares; "Accomplice to the Revolution," © 1992, 1995 by Angela Victoria Manzanares; "Photograph Series: One Through Four" © 1993, 1995 by Cynthia Martinez; "17 Edgeware Road, 1983" © 1993, 1995 by Michele Spring Moore; "Testimonies to Survival: An Interview with Aurora Levins Morales" © 1993, 1995 by Aurora Levins Morales; "Absolution" © 1992, 1995 by Mary Pierce; "Introduction to STANDARDS" © 1992, 1995 by Marlon Riggs; "The Crusade of Cultural Separatist Man" © 1991, 1995 by Kenneth A. Riley; "Breaking Glass Photo" © 1992, 1995 by Kenneth A. Riley; "On Bombs, Memory, and Survival: A Scientist Recalls Hiroshima and Nagasaki" © 1995 Gene D. Robertson; "Early Winter" © 1993, 1995 by Carlos Rodriguez; "My Turn To Buy the Round" © 1991, 1995 by Carlos Rodriguez; "Creed" © 1992, 1995 by Carlos Rodriguez; "El Paso County Jail," © 1991, 1995 by Benjamín Alire Sáenz; "While Sleeping in My Parents' House A Summer Storm" © 1992, 1995 by Benjamín Alire Sáenz; "Life Story" © 1992, 1995 by Ira Sago; "Scene Through the Rear-View Mirror" © 1991, 1995 by Jana Sequoya; "Anamorphosis" © 1992, 1995 by Jana Sequoya; "Fighting Back" © 1992, 1995 by Mindy Beth Tobin; "Excesses" © 1992, 1995 by Virgínia Vélez; "Dick Slave" © 1991, 1995 by J. Patterson Waltz III and Canéla A. Jaramillo; "The Hands That Bled" © 1991, 1995 by Wambdi Awica Wa'stewin; "Wedded to a Shirt" © 1991, 1995 by Wambdi Awica Wa'stewin; "A Pony's Tale" © 1991, 1995 by Wambdi Awica Wa'stewin; "Breaking Glass: A Still-Life Performance Poem" © 1992, 1995 by Curt Darius Williams; "Ladders" © 1991, 1995 by Curt Darius Williams; "Cider Season" © 1992, 1995 by Donna Helene Wolfe.

 
     

 

 

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