Office Location: Ketchum 355
Pronouns: they / them / theirs
M.A., University of Colorado Boulder - Educational Foundations, Policy, and Practice, 2018
B.A., University of Colorado Boulder - Spanish Language & Literature, Humanities, and Ethnic Studies, 2015
Critical race and cultural social theory, performance studies/theory, queer and trans of color critiques, women of color feminisms, critical disability studies, and de/post/anti-colonial theory
Lau Malaver is a third-year PhD student in the Department of Comparative Ethnic Studies. Their current research is focused on developing a decolonial praxis-oriented theory call recovecos (Spanish for nooks, hidden turns, and twists) that examines a subject's relation and interaction with space (nook) and time (hidden turn), while interrogating and highlighting discursive and performative projects of culture (twists). Grounding recovecos in theorizations of relationality and queer, trans, and crip of color critiques, Lau seeks to unveil the felt traces of societal frictions such as racial settler colonialism and capitalism, neoliberalism, white supremacy, ableism, and cis-heterosexism, by considering the theoretical, ethical, and practical challenges and responsibilities with which to resist. As a relational and affective framing, recovecos further interrogates embodiment, matter, subjectivity, and animacy. Lau is committed to unlocking the potential of that which remains in(side) the nook, to be encountered in the hidden turn, and/or stuck in the messiness of a twist. Performing choreographies of care and resistance as these emerge from newly-formed vínculos/relations is central to new understandings of racial formations and place-based subjectivities.
Featured Publications and Performances
“ABSCONDED #EjectionDay2020. Directed, written, and performed by Dragonfly (Robin LaVerne Wilson). Produced by HemiTV. New York City, NY. November 3, 2020.” In Ecumenica: Performance and Religion (2021).
“‘I’m la porqueria’: Reading Affective Embodiments in Vida.” In ASAP/J: Association for the Study of the Arts of the Present Journal (2020).
“‘¿Eres cuir, or what?’ Latinx Disidentificatory Practices of Becoming.” (2020) In Decolonizing Latinx Masculinities edited by Arturo J. Aldama and Frederick L. Aldama. Tucson: University of Arizona Press.
Audio Intersectionality & Recovecos Performance (2020) Collaboration with Shawn Trenell O'Neal, Live performance at Imagined Borders, Epistemic Freedoms: The Challenge of Social Imaginaries in Media, Art, Religion and Decoloniality. Center for Media, Religion, and Culture, Boulder, CO.
He Was Just Drunk & Quiero una novia (2017) Collaboration with Victoria Betancourt, Live performance at Night of Poetry: Readings by Latin American & Latinx Artists event by Latin American Studies Center, Boulder.
“Vida – Tanya Saracho, 2018—, Queer LatinX Cultural Production, Television seasons 1 and 2.” (Fall 2019) In Chiricú Journal: Latina/o Literatures, Arts, and Cultures 4, no. 1. Bloomington: Indiana University Press.