New & Current Class Opportunities

This page lists visiting instructors and artists, as well as descriptions of new classes. This page is updated every semester. See the current class list for full schedule of courses.

Upcoming Class Highlights


FILM 4024 / ARTF 5024 - Adv. Research Seminar: Stories We Tell: Dreams/Histories/Narratives

With Professor Melinda Barlow

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The stories we tell ourselves in dreams shape our days and take over our nights, driven as they are by our deepest desires. What distinguishes dreams from daydreams? What of lucid dreams, nightmares, fantasies and vision quests? What functions have dreams served in different cultures at different times? And how may we use dreams as a source of creativity? In this course, historical and theoretical readings as well as writings by artists illuminate an eclectic mix of American and international narrative, documentary, animated, and experimental films, each exploring the complex relationship between dream and reality, the unconscious and creativity, our stake in given stories, and the virtue of letting them go.  Students will keep dream journals and write critically and creatively about their dreams and/or produce new work inspired by dreams for their final projects.

Please contact instructor with questions and for permission to enroll:  Melinda.Barlow@Colorado.Edu

dreams2019

 


CINE 3042:001

American Horror Film: History, Contexts, Aesthetics

with Professor Ernesto R. Acevedo-Muñoz

 History, Contexts, Aesthetics Graphic

CINE 4024 / ARTF 5024 -- Adv. Research Seminar:

Snapshots, Memoirs, & Home Movies:  Mining the Personal Archive

with Professor Melinda Barlow

black child with tvSpeak, Memory posterpeeping tom movie poster

Vehicles of memory ranging from intriguing to mundane, snapshots, memoirs and home movies are valued for their intimacy and authenticity, but because they reveal and conceal, their relationship to history is multifaceted and their forms, complex. While some memoirs take the form of graphic novels (Fun Home), literary memoirs often draw inspiration from snapshots (Reading Lolita in Tehran, Speak, Memory). Many narrative films and documentaries make use of “real” and “fake” amateur footage (Peeping Tom, Capturing the Friedmans, Tarnation, Grizzly Man), and since the 1950s, American experimental filmmakers like Stan Brakhage, Phil Solomon, Jeanne Liotta, Andrew Busti, and Christin Turner have evoked, incorporated and transformed the conventions of home movies in innovative ways. In this course, theoretical readings on amateur filmmaking, vernacular photography, and personal memoir illuminate an eclectic mix of narrative, documentary, and experimental films that plumb the relationship between history and memory, truth and fiction, the amateur and the avant-garde within a primarily, but not exclusively, American context. Students will write critically and creatively about family and/or found snapshots, home movies and personal artifacts and create albums and artist’s statements about their work. Graduate students in all disciplines and undergraduate BFA students in Cinema Studies will have the opportunity to produce new work exploring themes and issues raised by the course and write about that work in their final projects. 

Please contact instructor with questions and permission to enroll: Melinda.Barlow@Colorado.Edu

 

 


 

Class Lists by Semester

 

Summer 2020 Class List

Spring 2020 Class List

Fall 2019 Class List

Summer 2019 Class List

Spring 2019 Class List

Fall 2018 Class List

Summer 2018 Class List

Spring 2018 Class List

Fall 2017 Class List

Summer 2017 Class List

Spring 2017 Class List