FIRST - Faculty-In-Residence Summer Term
CU-Boulder is honored and proud to bring world-class faculty to campus for summer 2008! These scholars are all master teachers and outstanding in their fields. They come to Boulder to share their experiences and knowledge with CU-Boulder summer session students. Come and learn from FIRST!
College of Arts and Sciences
Classics
Benjamin Stevens
Assistant Professor, Bard College
Masterpieces of Roman Literature
in Translation
♦ CLAS 1120, 3 semester hours, Section
100, Call No. 45368
Term A: June 2–July 3, 2008
What was ‘literature’ in
the ancient Roman world, and what might
it reveal about literature and culture
in general? In this course we seek
to answer these questions by surveying
Latin literature and Roman literary
culture of roughly the first centuries
BCE and CE. Our readings, all in English
translation, focus on authors and texts
representative of a wide range of genres
and styles, including epic and lyric
poetry as well as history, oratory,
and epistolary prose. Although we attempt
to master part of the canon, we seek
also to explore the very concept of
‘canon’ and what counts
as a ‘classic’; the tension
between tradition and innovation; and,
ultimately, what it is – or who
it is – that separates ‘ordinary’
language from the ‘literary’.
Approved for arts and sciences core
curriculum: literature and the arts.
Professor Stevens is a young scholar with a developing reputation, specializing in thought about language. An assistant professor of classical studies at Bard College, he maintains research and teaching interests in fields including ancient languages and comparative literature, especially Latin, Greek, and Biblical Hebrew; the history and theory of linguistics and semiotics; speculative fiction and graphic literature; Roman history; and contemporary a cappella music. Professor Stevens is a respected lecturer and seminar leader.
Film Studies
Elliot Caplan
Professor of Media Study, University
of Buffalo, State University of New
York; President and founder, Picture
Start Films
Topics in Film Studies: Cinema and the
Performing Arts
FILM 4010, 3 semester hours, Section
810, Call No. 45605
ARTF 5010, 3 semester hours, Section
810, Call No. 45606
Term A: June 2–July 3, 2008
Explore the relationship between cinema
and the performing arts. Students will
explore the moving image in relation
to the moving figure. This course explores
art forms, cinema, and dance.
Professor Caplan is returning for the second time as a FIRST scholar. He is an Emmy award-winning producer and filmmaker. For the past 30 years Professor Caplan has worked with world-renowned choreographer Merce Cunningham and composer John Cage. Their collaborative work has been aired nationally on PBS, Bravo, A&E, and internationally to 35 countries. Professor Caplan is an acclaimed teacher.
Thomas Gunning
Edwin A. and Betty L. Bergman
Distinguished Service Professor,
Department of Art History, University
of Chicago
Topics in Film Studies: Cinema and Magic
FILM 4010, 3 semester hours, Section
820, Call No. 42519
ARTF 5010, 3 semester hours, Section
820, Call No. 45208
Term B: July 8–August 8, 2008
Cinema and magic are often paired historically
and thematically. This course will
explore these connections. Cinema in
its origins was closely related to
the work of stage magicians, whose
complex technological magic spectacles
easily transferred to film. This tradition
continues in contemporary cinema with
the use of special effects in fantasy
films. Magic as a system of belief
and ritual practice in traditional
cultures has been the topic of investigation
by a number of important filmmakers.
Finally, magic as an alternative to
Western enlightenment, as an occult
system of analogies, has inspired a
number of avant-garde filmmakers. This
course will explore these relationships
between magic and film, which enabled
magic to provide filmmakers with alternative
models of cinematic form and structure.
Professor Gunning’s research focuses on problems of film style and interpretation, film history, and film culture. His groundbreaking book on silent cinema, D.W. Griffith and the Origins of American Narrative Film, traces the ways in which film style interacted with new economic structures in the early American film industry and with new tasks of storytelling. In addition to two other books, Professor Gunning has published over 100 articles. In addition to being an outstanding scholar, Professor Gunning is an excellent teacher.
International Affairs
Benny Miller
Schusterman Visiting Professor
in Israel Studies, School of Political
Sciences, University of Haifa
Special Topics in International Affairs:
Regional War and Peace
IAFS 3000, 3 semester hours, Section
001, Call No. 45380
Term M: May 12–30, 2008
Discuss the origins of regional conflicts
and the sources of regional wars with
special emphasis on the role of the
state and of nationalism. The class
will focus on two key factors: state
strength and national congruence and
their effects on war and peace. The
class will examine strategies for advancing
peace including great power and international
engagement; partition vs. preservation
of the state; state-building and nation-building;
democratization; and other factors.
The theory will provide a background
for examination of regional war and
peace in the Middle East, South America,
the Third World, the Balkans, and Eastern
and Western Europe. May be repeated
up to 9 total credit hours. Restricted
to IAFS juniors and seniors.
Professor Miller’s area of emphasis is regional conflict and peace with special emphasis on the Middle East. As director of Advanced Studies, School of Political Sciences at the University of Haifa, Professor Miller explores the issues of states, nations, power, and conflict. His work explores why some regions seem more prone to war and some to peace. Professor Miller is a master teacher.
Leeds School of Business
Dhrubes Biswas
Indian Institute of Technology,
Kharagpur, India
Social Entrepreneurship in Emerging Economies
BADM 4820, 3 semester hours, Section
100, Call No. 45617
Term A: June 2–July 3, 2008
The emerging economies of the world
provide incredible opportunities for
new avenues of profitable growth and
innovation for firms and entrepreneurs
of all types, whether multinationals
or micro-enterprises. There are also
significant challenges, among them
the fostering of a climate of productive
investment that creates economic opportunity,
new jobs, and sustainable, positive
social change. Many governments, working
with agencies like the World Bank,
NGO’s, multinationals, domestic
corporations, and entrepreneurial organizations,
have made impressive recent strides
in creating economic growth, reducing
poverty, and improving consumption
capability and well-being for their
citizens. This course will increase
awareness and understanding of these
environments and help evolve the skills
needed to participate as entrepreneurs
in these emerging opportunities.
Dr. Biswas is Professor of Electronics and Electrical Communication Engineering at the Indian Institute of Technology, Kharagpur (IIT-KGP). He also serves as a Professor of Management at IIT-KGP’s Vinod Gupta School of Management. He serves as an advisor to the Government of India on the set up of entrepreneurial ventures in technology inspired products and services (TIPS), information technology and electronics, as well as rural development. He also started the first-ever statewide entrepreneur development program for STPI (Software Technology Parks of India) Government of India. Dr. Biswas has authored numerous technical papers and holds multiple patents.
School of Education
James Gee
Tashia Morgridge Professor of
Reading in the Department of Curriculum
and Instruction, University of Wisconsin-Madison
Language, Learning, Literacy, and Digital
Literacies
EDUC 6804, 3 semester hours, Section
604, Call No. 42134
Term F: July 21–August 1, 2008
This class will integrate work on literacy
in the New Literacy Studies tradition
with current work on “situated
learning” in the Learning Sciences
and work on digital literacies. We
face today two important gaps—the
old reading gap between poorer and
more privileged children and a new
emerging digital literacy gap. The
class will discuss how both these gaps
can be closed by taking advantage of
new digital media to create “situated
learning” and “situated
meanings”
for the sorts of complex language found
in the content areas in school (e.g.,
science). The course will deal with
learning in a K–12 perspective
(really K–life). One focus of
the course will be on video games and
learning as one important type of digital
literacy and learning.
Professor Gee’s work over the last decade has centered on the development of an integrated theory of language, literacy, and schooling, a theory that draws on work in socially situated cognition, sociocultural approaches to language and literacy, language development, discourse studies, critical theory, and applied linguistics. More recently, he has engaged in research on learning and literacy in video and computer games. He has published widely in journals in linguistics, psychology, the social sciences, and education and is a member of the editorial board of 12 journals. In 1989, the Journal of Education, one of the longest running journals in education in the United States, published a special issue devoted to reprinting his early essays on literacy. He is an outstanding teacher.
College of Music
Elizabeth Mansfield
Professional Singer and Actor
Opera Theatre Practicum
PMUS 4157, 1–3 semester
hours, Section 600, Call No. 45598
PMUS 5157, 1–3 semester hours,
Section 600, Call No. 45599
Term F: July 8–30, 2008
Students will not only develop their
own performing skills, but will also
become more critically aware observers
of fellow performers. The class will
help students learn how to “take
the space” on a stage, how to
present a song as part of a role or
simply as a solo, how to understand
a role, and how to prepare for the
professional world as a singing actor.
The class will culminate in a public
performance. Meeting times will be
scheduled with the individual student
groups.
Elizabeth Mansfield, a professional singer and actor centered in London, has over 40 years of experience in musical theater. Her stage credits include standard theatrical roles as well as new works of musical theater created specifically for her. She was nominated for an Olivier Award for Best Actress in a Musical for her one-woman show, Marie, about the musical hall artist Marie Lloyd, a performance that also earned her a Best Actress citation from the London Theatre Critics. She has performed several times at CU-Boulder, and the response from CU students and music faculty to Ms. Mansfield’s previous master classes has been extremely enthusiastic. This is the first time students will have the opportunity to work with Ms. Mansfield intensively for several weeks.
♦ = Fulfills Arts and Sciences Core Curriculum

