Visual

What was once interior is now offered up for discussion, consumption, delight, critique, ridicule, sale. This kind of exposure is brave and not cheap because without it we lack cultural direction. The pieces put on display say something about the artist's way of viewing the world, the influence of the world upon the artist, and the artist's desires in the world. This kind of exposure invites a reciprocal relationship between the artist and the viewer; it's an invitation play with perspectives. So when you look at the pieces in this issue, ask yourself what is the common thread? Why is each piece significant for the theme of "Exposed"? Then remember, art doesn't necessarily have a point, it's not necessarily representative of anything, it just is.

-- Mary Contrary