Homework #5 solutions

Light and Color (Physics 1230)  Fall 2007

Solutions to Homework #5

 

Pg. 142-3 Prob P1

(a)      When the lens is closest to the film you are focused on a very distant object.  The farthest object you can focus on is at infinity (in practice, a distant star).  The rays from that distant object arrive at the camera lens essentially parallel and so converge at the focal point behind the lens.  The focal length is therefore the smallest distance from lens to film that the camera can achieve.

Pg. 142-3 Prob P2

(a)      The lens forms a real image of the object on the light sensitive film, which records this image. 

(b)      The light-tight box excludes all light that does not come through the lens. 

(c)      The shutter allows light to strike the film for a specified amount of time. 

(d)      The diaphragm controls the effective area of the lens and hence the amount of light that enters the camera in a given time.

 

Pg. 142-3 Prob P4

(a)      Depth of field is the range of object distances for which the image of the object will be "acceptably" in focus.  For a given lens, the depth of field is controlled by the aperture -  a small f-number (large opening) gives a small depth of field, while a large f-number (small opening) gives a large depth of field.  For a given f-number, the shorter the focal length of the lens, the larger the depth of field.

Pg. 142-3 Prob P5

a) 28 mm

á          You want a large angle of view

b) 150 mm

á          You want a telephoto lens so the pitcher appears large in your photograph.

c) 28 mm

á          You want to get close to the fish with wide angle perspective and good depth of field.

Pgs 142-143, Prob. P6

a)  f/5.6 at 1/100 sec gives the same exposure as f/11 at 1/25 sec.  Going from f/5.6 to f/11 is two stops, or a factor of 4 decrease in effective lens area.  Hence the time is 4 x 1/100 sec = 1/25  sec.

b)  If you increase the f-number by one stop ((one step along the list in Table 4.2), you open the hole wider and you must therefore increase the exposure time by a factor of 2 to keep the same total exposure.  Hence, other equivalent settings are:  f/4 at 1/200 sec, f/8 at 1/50 sec, and f/2.8 at 1/400 sec.

Pgs 142-143, Prob. P7

(a)      f/2 at 1/200 sec in order to stop the action

(b)      f/5.6 at 1/25 sec in order to increase the depth of field

(c)      f/2 at 1/200 sec in order to decrease the depth of field