February 9, 2016
On Wednesday, Feb. 10, the Entrepreneurship Center for Music's Career Launchpad welcomes back two College of Music alumni who have run the gamut of gigs in the music world.
January 26, 2016
Associate Director of Choral Studies Andrea Ramsey composed a setting as part of a new collection of Shakespeare-inspired songs.
July 24, 2015
Combining composition and computer science, double major Willie Payne is exploring new ways to use music in video games.
May 13, 2015
CU NOW, a three-week workshop that introduces vocal and composition students to the leaders in their field, begins its sixth year at CU-Boulder on May 26.
October 25, 2013
Thanks to Daphne Leong for providing these recent highlights from the CU-Boulder Music Theory program:
September 9, 2013
BOULDER, Colo. — Brett Madsen was deeply interested in music as a high-school student in Florida. It just wasn’t the pop, rock, hip-hop and other genres most of his peers listened to.
He was into classical music, from Bach and Beethoven to Mozart and Chopin. And he was very into writing the same kind of thing.
August 5, 2013
When the Colorado Buffaloes catch a breather during Pac-12 network football games this fall — ditto for the basketball team, right into spring — expect to see a top-notch team from the CU-Boulder College of Music step in.
May 1, 2012
Keane Southard (MM 2011, composition) has been awarded a Fulbright U.S. Student grant to spend nine months next year pursuing research in Brazil.
April 5, 2012
Composition faculty Daniel Kellogg has been awarded a coveted Aaron Copland Award that includes a residency at Aaron Copland’s National Historic Landmark house in New York’s lower Hudson Valley. During this residency, Professor Kellogg will continue his exemplary composition work.
February 7, 2012
The Aakash Mittal Quartet, led by Aakash Mittal (BM 2007, saxophone), received the ASCAP/Chamber Music America award for Adventurous Programming of Contemporary Music for jazz ensemble in January in New York. The group performs its members’ original works and draws heavily on the improvisational vocabulary and compositional aspects of the North Indian classical raga tradition.