On-Campus Audition Dates for Fall 2014 Admission:
Graduate Voice Audition Weekend
- January 24-25
Graduate Flute Auditions
- January 31 - February 1
- February 7 - 8
- February 14 - 15
Graduate Solo Piano Auditions
- January 25
Graduate Collaborative Piano Auditions
- January 31
- February 7
- February 14
All other Graduate Auditions
- February 1, 2014 (no clarinets)
- February 8, 2014
- February 15, 2014
Audition/Interview Scheduling & General Information
Auditions cannot be scheduled until your application is complete. To request an audition, send an e-mail to email@example.com including your full name, degree & program applying for, mailing address and phone number. You will be contacted once it has been verified that your application has been received.
Auditions and interviews for most majors will be held on Saturdays early in February. Graduate voice auditions have been scheduled for a weekend at the end of January. Additionally, auditions and interviews may be scheduled individually by communicating with the faculty representative for your area.
Pre-screening recordings are required for the following areas:
- Collaborative Piano
- Strings (including Quartet Program)
Scores of original compositions along with recordings. Recordings should be of live music, not synthesized reproductions of orchestrations. Score and recordings must be mailed to the College of Music Graduate Office.
A writing sample (term paper) is required of all PhD musicology applicants. The document should demonstrate ability in critical thinking, appropriate research techniques, and skill in the cogent use of English. Applicants must mail their writing samples to the College of Music Graduate Office.
All writing samples (Applicants must mail their Music Education Writing Samples to the College of Music Graduate Office)
Any teaching videos must be mailed or e-mailed to the College of Music, Music Education Department, 301 UCB, Boulder, CO 80309
String Quartet Professional Certificate*
This program is for pre-formed quartets only. The quartet is required to submit a pre-screening recording via www.getacceptd/cuboulder by December 1. The recording should include a minimum of twenty minutes of total playing time and at least two complete works of contrasting style and period. The requirements are the same for the live audition. A live audition is recommended. Quartets unable to travel to Boulder for a live audition should contact Prof. Judith Glyde. A biography of the quartet and of each member of the quartet, and three recommending letters from teachers and/or coaches are required. Each member of the quartet must submit an individual application to the University of Colorado Boulder.
Writing samples: Provide two writing samples (research paper, excerpt from thesis, etc.) that demonstrate ability in critical thinking and argumentation, and skill in writing. Ideally, at least one of these samples should involve music analysis and/or explore music-theoretic issues.
Campus visit: We are often able to provide financial assistance for top applicants who wish to visit the campus.
Assistantship interview: An interview in person is highly recommended for those applying for a Theory Assistantship. The interview will include sight-singing, demonstration of keyboard skills (harmonic progressions, simple keyboard textures, etc.), as well as discussion of the applicant’s theory and teaching background.