Captivate, by Emmanuela Copal de León, 2001

 

 

Warrior Masks

By Jen Grace

 

 

A friend of mine said something a couple of evenings ago about stretchmarks being the warrior marks of motherhood, and wanting to change our culture so that they were respected and revered, instead of seen as things to hide and conceal. That started me thinking about my own personal warrior marks. Recently I've become much more comfortable with myself as a warrior. An Amazon, a tigress. Someone who is strong enough to take whatever life dishes out and triumph over it.

 

 

Stealing the Election:

The Compromises of 1876 and 2000

By Manning Marable

 

 

We have just witnessed, in the United States, the massive and wholesale theft of the presidency. Yet the
fraudulent political dynamics that propelled loser George W. Bush into the White House have happened before. A political philosopher once observed that history always repeats itself twice -- the first time as tragedy, and the second time as farce. The seeds of the current electoral debacle are found in the past.

 

 

Multicultural Poetry as Unwritten in China (Or: The Night You Want to Sleep Away)

By Ouyang Yu

 

 

The question came, "Do they write in English?"

My answer to that is a definite one: No, they don't. So what? In fact, the recent debate between the so-called "intellectual poets" and "people's poets" focuses on whether Chinese poets should imitate their Western "masters" by quoting them in their obscure and derivative lines and dedicating their poems to them, or whether they should write poems that are founded on the "ordinary life" and take their source from the poet's "original creative power", a phrase much used by the "popular" or "people's poets".

 

 

  

Original Graphic, "Captivate" © 2001 by Emmanuela Copal de León

.

 

Contents by Author | Contributors | Submissions | Home

| About STANDARDS | Contents by Genre

Email

User Note: To re-size the text on any page, use the button on your browser's menu bar.

 Entire Contents © 2001 by the Individual Contributors

and the Standards Editorial Collective

ALL RIGHTS RESERVED