Back to the Drawing Board...

STANDARDS' WORST PICK
FOR MULTICULTURAL "EDUCATION"

 
     

 

     
 

Setting a standard in polar opposition to the provocative Blue Heron publications, we have been made the unhappy recipients of a new CD-ROM series from Primary Source Media. Proudly displaying the red, white, and blues of a colonial empire in the making, the American Journey collection is one of the most deplorable insults to multicultural education to come our way in the '90s.

Although the 5-disc collection contains encapsulated versions of "The Immigrant Experience," "The Asian-American Experience," "The African American Experience," "The Hispanic-American Experience," and "Women in America," I'll confess that 15 minutes with just one CD-ROM was enough to put off our editors to the entirety of the "miniseries."

We're always a little shaky about the grand sweep to title educational resources "THE" anything experience. One of the first lessons of post-colonial cultural studies is that there's always a multiplicity of perspectives; nothing falls into a single category of "the 'American' experience." Too, as people of color, we retain a healthy skepticism for all works touting representations of "America," when what is truly represented is the United States. America is a continent, not a country, still.

But we were willing to give this package a try. That's our job. We loaded the first CD in the series, and found an appropriate level of technological fanfare and ease of navigability, for the high school or middle school student. What followed, however, was a computer-enhanced version of the very school texts we are all hoping will one day simply disappear, although they just keep finding new venues and new funding sources. {Sigh.}

So, thoroughly unimpressed and significantly annoyed by this new foray into "multiculturalism," we have tired of attempting to discern if the team at Primary Source Media is presenting a history that is oxymoronic, or simply moronic.

We'll thus let our readers be the judges...

Here's a snippet of what we found, upon entering this series (contextual emphasis added):

 

AMERICAN JOURNEY: Women in America

TOPIC: The Earliest Women: Native Americans


CHORES AND RESPONSIBILITIES
ARTS AND CRAFTS
SOCIAL STATUS

In the century following Columbus' discovery of what is now the United States, European explorers began their exploration of North America. Leading the advance were the Spanish, who claimed large areas of the South and West; the English, who established colonies along the East Coast; and the French, who settled along the St. Lawrence River, the Great Lakes, and the Mississippi River.

When the Europeans first arrived, they found hundreds of native groups scattered around the continent. Living everywhere from seacoast to woodland, from prairie to desert, the groups were separated not only by geographic location, but often by language, culture, and temperament. Some were hunters who moved regularly to follow buffalo, deer, and other game; others stayed in small towns and farmed for a living. Groups, or tribes, living along the seacoast generally lived by a combination of fishing, hunting, and small farming. While many were known for raiding neighboring settlements, others were sedentary and peacefully coexisted.

The native women played a key role in their families and communities, as observers such as John Smith and Roger Williams observed. Their influence also spread beyond tribal boundaries, as many worked to promote peace with other tribes and with their newly arrived European neighbors.

CHORES AND RESPONSIBILITIES

Native-American women, like European women at the time, took primary responsibility for raising their children and taking care of their homes. In addition to gathering and preparing food, they made clothing for their families, cared for the old and sick, and often helped build the homes in which their families or clans lived. Clans were made up of family members descended from a common ancestor.

...

INDIGENOUS PEOPLES AS MUSEUM ARTIFACTS OF NOTE [OUR SUBHEADING]

Roger Williams, the founder of Rhode Island and a strong defender of Native-American rights, wrote about 17th-century Narragansett life, describing men and women working together in the fields. Among tribes where hunting was the principal activity, women tanned the animal hides the men brought back and used the finished leather to make moccasins, bedding, medicine pouches, and even teepees, the cone-shaped homes of many Plains tribes. Sir Robert Southwell, an Englishman who observed Native American customs in the late 1600s, described the elaborate tanning procedure followed by some southern tribes.

ARTS AND CRAFTS

... Though the names of the artists were unknown, the skills of design and technique they brought to their crafts were of the highest quality. They dug for their clay, gathered reeds and rushes for their baskets, sheared sheep, and spun wool for their blankets. Inspired by the religious beliefs of the artists, these creations had spiritual meaning for the community.

The many tribes that populated the continent varied greatly in their beliefs and traditions. In what is now New Mexico, the Pueblo village of Taos had buildings that were like large apartment complexes. These buildings are still occupied today. Their walls are made of adobe -- a mixture of clay, sand, straw, and water hand-formed into bricks by women and girls. Taos was settled by the Spanish in the early 17th century, and when the Spanish settlers built churches in that region, they followed the native style of adobe construction and may have employed native women to do the work.

While European-American settlers learned practical skills from natives, Europeans did not appreciate the natives' artistic accomplishments. It took a full 500 years after Columbus first set foot in the New World for European Americans to recognize such traditional arts. The natives, however, soon learned to incorporate European influences into their designs. They had never worked with beads before the white traders brought them. They had used only bird feathers or porcupine quills to decorate tepees, clothing, moccasins, and pipe stems. In some tribes, these works were so highly prized that they were considered sacred. When brightly colored glass beads became available through trade with Europeans, Indian women worked them into their designs, supplementing the shells, stones, bones, and seeds they were already using. All these designs had symbolic significance, though much of what they meant is a mystery to us today. For example, flower or leaf-like patterns may have had something to do with plants used for medicinal purposes.

SOCIAL STATUS

... John Smith, author of an early history of Virginia, described another power given to Native-American women -- that of deciding the fate of prisoners taken by a tribe in battle. In Smith's A True Relation, Pocahontas, the daughter of Chief Powhatan, helped a group of early English settlers and later saved the author from death when he was captured by her tribe. Despite her attempts to promote peace between her tribe and the English, Pocahontas herself was later captured by them.

Native-American history contains many examples of women who, like Pocahontas, worked to build peaceful relationships between native tribes and their European neighbors. Among the others who stood out for their efforts in this area were Awashonks, Queen of the Sakonnet tribe, in New England. During King Philip's War, which was waged between the English and the Wampanoag chief Metacom, Awashonks saved her tribe through her skillful bargaining with an influential Englishman.


It does go on, dear readers. Our distaste at finding Native Americans again hyphenated, infantilized, and depicted as peaceful savages who were, according to this account, again more dazzled by "brightly colored glass beads" than by issues of land and treaties, is tragically puzzling. That Pocahontas, considered at length in another article here, is portrayed as a "woman" who gave needed diplomatic aid to John Smith before being captured is simply and offensively historically inaccurate.

We didn't go on to "discover" how the lands of Columbus and his heirs are recounted in "the" experience of African Americans, Asian Americans, or "Hispanic-Americans." Nor did we peruse "the" immigrant experience.

The editors of STANDARDS do, however, invite readers with access to these materials to add further reviews to this site. Give us strength...

 

Canéla A. Jaramillo

Canéla Analucinda Jaramillo
Editor-in-Chief
STANDARDS

 
     

 

 

 Quoted material © Primary Source Media 1996. Used by permission.
 
     
 

Review and Original Graphic © 1996 by Canéla Analucinda Jaramillo
 

 

 

 Best of the Small Presses

Education Feature Home Page

Contents by Genre | Contents by Contributor
 
     
 

 

standards@colorado.edu

About Standards