The Boston Globe has described David Amram as “the Renaissance man of American music.” He has composed over 100 orchestral and chamber works, written two operas, and early in his career, wrote many scores for theatre and films, including Splendor in the Grass and The Manchurian Candidate. He plays the French horn, piano, guitar, numerous flutes and whistles, percussion instruments, and a variety of folkloric instruments from 25 countries. He has conducted and performed as a soloist with symphony orchestras around the world, participated in major music festivals, and traveled from Brazil to Cuba and from Kenya to Egypt. While actively assimilating the musical cultures of the countries he has visited, he has kept up a remarkable pace of composing, using his experiences in the worlds of jazz, folk and ethnic music as inspiration and basic material for his formal compositions. He has collaborated with such notables as Leonard Bernstein, Dizzy Gillespie, Lionel Hampton, Charles Mingus, Dustin Hoffman, Thelonius Monk, Willie Nelson, Jack Kerouac, Betty Carter, Odetta, Elia Kazan, Arthur Miller, and Tito Puente. Since being appointed first composer-in-residence with the New York Philharmonic in 1966-67, he has become one of the most acclaimed composers of his generation, listed by BMI as one of the Twenty Most Performed Composers of Concert Music in the United States since 1974. Amram’s participation at CWA is made possible by the Leo Block Distinguished Visiting Professor Program at the University of Denver.