E n r i q u e  M a r t i n e z   C e l a y a :

p o e t r y  i n  p r o c e s s
A N  E X H I B I T I O N  S E P T E M B E R  9  -   O C T O B E R  2 3 ,  2 0 0 4
ALSO ON VIEW: P A U L  D E M A R I N I S:  G R A Y  M A T T E R

N A D I A  B O U L A N G E R :  A N   E N D U R I N G   L E G A C Y  OF M U S I C  A N D  S P I R I T
The Enrique Martínez Celaya: Poetry in Process residency will include an extended visit to Colorado by the artist, during which time he will create a large painting in the CU Art Museum as part of the solo exhibition. Martinez Celaya will additionally give various public lectures



CURATED BY

Lisa Tamiris Becker
Director, CU Art Museum


OPENING RECEPTION

Thursday, September 9, 2004, 6–8pm
The artist will be present at the opening

RELATED LECTURES
& GALLERY TALKS


CU Art Museum public artist gallery talk:
Tuesday, September 14, 2004, 6pm

Aspen Art Museum Public lecture:
Saturday, September 18, 2004, 5pm
Paepcke Auditorium,
The Aspen Institute
1000 North 3rd Street
(For more information call: 970-925-8050)

The Martinez Celaya residency is the inaugural Colorado Contemporary Arts Collaboration (CCAC) Artist Residency at the CU Art Museum sponsored by Kent and Vicki Logan.

At the exhibition opening, scheduled for Thursday September 9, from 6–8pm, viewers will be able to see the preliminary phase of the artist’s site-specific painting as a “cartoon.” During the first week of the exhibition, visitors will be able to view the working process of the artist as he completes the site-specific wall painting that will incorporate violet flowers and earth with other paint media.

THE EXHIBITION, RESIDENCY, AND RELATED LECTURES, ENRIQUE MARTÍNEZ CELAYA: POETRY IN PROCESS, will investigate the complex cross-disciplinary approach to art-making of this important emerging Cuban-American artist and will feature major works, created in sculpture, painting, photography, poetry, drawing, and philosophy. The exhibition will present key works surrounded by the multiple preparatory and generative sketches, photographs and writings, from which the artist generates his larger works, and will explore themes such as Memory, Witness, Voyage, Exile, and Coming of Age as they are threaded throughout the artist’s body of work.

Enrique Martínez Celaya currently maintains a studio in Southern California and was recently featured in the May 2003 issue of Art In America. His work has been exhibited widely in the United States, Europe and Latin America, and is in the permanent collections of the Metropolitan Museum of Art, the Whitney Museum of American Art, the Los Angeles County Museum of Art, The Museum of Contemporary Art, Los Angeles, The Museum of Fine Arts, Houston, and numerous other public and private collections.
   
LEFT TO RIGHT, TOP TO BOTTOM    
Enrique Martinez Celaya
Unbroken Poetry, 1999
oil, tar, feathers and
fabric on canvas
94 x 94"
Private Collection, New York.

© Enrique Martinez Celaya
Enrique Martinez Celaya
My Boy (self),2003
watercolor and ink on paper
7.75 x 8.75"
Collection of Ian Wiener and
Jenny Heitz, Los Angeles.

© Enrique Martinez Celaya
Enrique Martinez Celaya
Innocence,2002
100 x 78"
Courtesy of Griffin Contemporary
© Enrique Martinez Celaya



Paul DeMarinis
gray matter
OPENING RECEPTION:
Thursday, September 9, 6-8pm
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This exhibition features the work of seminal Bay Area inter-media artist, Paul DeMarinis, whose provocative work explores musicality, sound, technology, and interactivity. On view are two key works from the series titled Gray Matter which uses the interaction of body
and electricity to make music. These works were specifically selected to accompany the exhibition Nadia Boulanger: An Enduring Legacy of Music and Spirit.
Paul DeMarinis has been working as an electronic media artist since 1971 and has created numerous performance works, sound and computer installations and interactive electronic inventions. He has performed internationally, at The Kitchen, Festival d'Automne a Paris, Het Apollohuis in Holland and at Ars Electronica in Linz and created music for Merce Cunningham Dance Co. His interactive audio artworks have been shown at the I.C.C. in Tokyo, Bravin Post Lee Gallery in New York and The Museum of Modern Art in San Francisco. Much of his work involves speech processed and synthesized by computers, available on the Lovely Music Ltd. compact disc “Music as a Second Language”, and the Apollohuis CD “A Listener’s Companion.”

 

Nadia Boulanger

                                         AN ENDURING LEGACY OF MUSIC AND SPIRIT

S E P T   9  -   O C T   2 3 ,  2 0 0 4

 

OPENING RECEPTION
Thursday, September 9, 6-8pm

GUEST CURATED BY
Thomas L. Riis, Joseph Negler Professor of Music
Director, American Music Research Center
College of Music, University of Colorado at Boulder

E X H I B I T I O N

Nadia Boulanger: An Enduring Legacy of Music and Spirit is being planned concurrently with a major international conference on the CU Boulder campus honoring the influence of illustrious 20th century French conductor, performer and teacher, Nadia Boulanger. Nadia Boulanger taught many avant-garde composers and sound artists, including Phillip Glass, Aaron Copland, Thea Musgrave, Quincy Jones, Astor Piazzolla, and others. The exhibition features rare and unusual photographs, scores, posters, and artwork that document the work and life of Nadia Boulanger. The Nadia Boulanger conference dates are: October 7 - 9, 2004. Please contact Professor Tom Riis, Director, American Music Research Center, College of Music at amrc@colorado.edu for more information about the Nadia Boulanger conference.

The American Music Research Center is a rare music resource dedicated to exploring and preserving the rich traditions of American music. The Center shares its activities with faculty, students and the public through concerts, publications and sponsorship of scholarly events.



For more Information Please contact, CU Art Museum Director:
Lisa Tamiris Becker at 303-492-8003 or lisa.becker@colorado.edu