 |
Vernon Hyde Minor
Professor Emeritus Humanities, Art and Art History, Comparative Literature
|
|
My interests center on the painting, sculpture, and architecture of the European Early Modern period, especially in Italy. I am interested in visual rhetoric, the climate of taste, and symbiotic relations between the visual arts and powerful social, governmental, and religious institutions.
|
|
"La Capella Corsini: un Museo Neoclassico?" Estetica & Ermeneutica, ed. Gianni Vattimo and Roberto Salizzoni (Turin: Trauben, 2005).
"What Kind of Tears: Karlheinz Stockhausen, 9/11, and the Art Metaphor," Journal of American Studies in Turkey, no. 145, Fall 2001 [2003], 91-96.
"Early Modern Period: Art Historical Interpretation," Europe 1450 to 1789: Encyclopedia of the Early Modern World, Jonathan Dewald, Editor in Chief (Charles Scribner's Sons, 2004), vol. 2, 219-222.
|
"Images, Politics, Jesuits, Jansenists," College Art Association, Annual Meeting, Atlanta, Georgia, February 2005
"Baroque Visual Rhetoric," Southeast College Art Conference, Annual Meeting, Raleigh, North Carolina, November 2003
"From El Greco to Picasso: the Duncan Philipps Collection," lecture, Denver Art Museum, October 2003
"Rome's Pastoralism and Some Versions of Good Taste," College Art Association, Annual Meeting, New York City, February 2003
|
|