Germanic and Slavic 
Languages and Literatures

German +

GRMN 1010-4. Beginning German 1. For students with no previous training in German. Credit not granted for this course and GRMN 1030.

GRMN 1020-4. Beginning German 2. Prereq., GRMN 1010 (min. grade of C-). Credit not granted for this course and GRMN 1030.

GRMN 1030-5. Intensive Beginning German. Covers the same material as GRMN 1010 and GRMN 1020 in one course. Focuses on acquiring ability to understand and speak everyday German; on developing reading and writing skills; and on learning about the cultures of the German-speaking countries. Credit not granted for this course and GRMN 1010 and GRMN 1020.

GRMN 1500-3. German for Reading Knowledge. Designed especially for graduate students. Emphasizes analytical skills for acquiring reading proficiency in specialized and technical German in one’s field of research. Recommended for pass/fail registration. Does not satisfy the arts and sciences foreign language requirement. Does not count towards the German major.

GRMN 2010-4. Intermediate German 1. Review and continuation of basic skills begun in the first year: reading, writing, speaking, and oral comprehension. Prereq., GRMN 1020 (min. grade C-). Meets MAPS requirement for foreign language. Satisfies arts and sciences language requirement. Credit not granted for this course and GRMN 2030.

GRMN 2020-4. Intermediate German 2. Prereq., GRMN 2010 (min. grade C-). Credit not granted for this course and GRMN 2030.

GRMN 2030-5. Intensive Intermediate German. Covers the same material as GRMN 2010 and GRMN 2020 in one semester. Offers review and continuation of basic skills begun in the first year: reading, writing, speaking and oral comprehensive. Prereq., GRMN 1020 or GRMN 1030 (min. grade C-), or instructor consent. Credit not granted for this course and GRMN 2010 and GRMN 2020. Meets MAPS requirement for foreign language. Approved for arts and sciences core curriculum: foreign language.

GRMN 3010-3. Advanced German 1. Reviews special grammatical topics, reading, and conversation. Students have the option of taking the internationally recognized exam Zertifikat Deutsch in GRMN 3010. Prereq., four semesters of college German or equivalent. Open to freshmen with instructor consent.

GRMN 3020-3. Advanced German 2. Expands and refines skills acquired in GRMN 3010. Students acquire a varied, precise, and idiomatically advanced vocabulary; an understanding of different registers, from the casual to the very formal; and an ability to communicate effectively in spoken and written German in a variety of social situations, including professional life. Prereq., GRMN 3010 or instructor consent.

GRMN 3030-3. Business German. Introduces students to the language of German business and economic life. Provides insights into everyday business practices and institutions, including Germany’s position in the European and world markets. Emphasizes acquiring basic business vocabulary and writing business letters and resumes in German. Prepares students for the exam Deutsch fuer den Beruf, a diploma recognized worldwide by business and industry. Prereq., GRMN 2020 or instructor consent.

GRMN 3110-3. German Literature from the Avant-garde to the Postmodern. Examines selected literary texts. Emphasizes longer unedited texts as well as critical skills. May be taken either before or after GRMN 3120. Prereq., GRMN 2020 or equivalent, or instructor consent.

GRMN 3120-3. German Literature from the Enlightenment to Expressionism. Examines selected literary texts of various periods. Emphasizes longer texts and critical skills. May be taken either before or after GRMN 3110. Prereq., GRMN 2020 or equivalent, or instructor consent.

GRMN 3130-3. Issues in German Philosophy and Literature. Examines selected interdisciplinary texts from the German literary and philosophical tradition. Topics address issues central to philosophical inquiry, and may include knowledge and its limits, mind and body, determinism and free will, reason and religious belief, and ethical problems. Prereqs., GRMN 2020 and 2030, or equivalent.

GRMN 3140-3. Current Issues in German Literature. Examines issues pervading contemporary German literature, such as concerns of youth, gender, stereotyping as it affects women and men in their relations with one another, loneliness and sexual frustration, work experiences, and other issues. Prereq., ability to read unedited German and to speak German.

GRMN 3150-3. Issues in German Politics and Literature. Examines literary and theoretical texts in German about the relationship between literature and politics. Topics may include history and revolution, political theater, feminist aesthetics, or terrorism. Readings and discussion in German. Prereqs., GRMN 2020 and GRMN 2030, or equivalent.

GRMN 3520-3. Open Topics in the Cultural Context. Examines topics in the cultures of German-speaking central Europe. Contact the departmental office for specific course offerings. May be repeated up to 6 total credit hours when topic varies. Prereq., GRMN 3020 or equivalent, or instructor consent.

GRMN 3900 (1-6). Independent Study. May be repeated up to 6 total credit hours.

GRMN 3930 (1-6). Internship. Provides an academically supervised opportunity for upper-division students to earn credit while working for public or private organizations. Students apply skills and knowledge earned in the major, and supplement their work experience through directed readings and assignments. May be repeated up to 6 total credit hours. Restricted to junior and senior GRMN majors and minors.

GRMN 4010-3. Advanced Grammar and Stylistics. Offers a complete final review of German grammar and syntax and its more complex aspects. Prepares students for the Goethe-Zertifikat C1. Prereq., GRMN 3020 or instructor consent.

GRMN 4330-3. The Age of Goethe. German literature from 1770 to 1830. Close examination of representative texts from the periods of Sturm und Drang, classicism, and romanticism. Emphasizes philosophical and social background. Prereq., GRMN 3020 or instructor consent.

GRMN 4340-3. Seminar in German Literature. Intensive study of a particular literary period, author, or genre. Secondary sources are used. Course content differs each time. May be repeated up to 6 total credit hours when topic varies. Prereq., GRMN 3020 or instructor consent.

GRMN 4450-3. Methods of Teaching German. Required of students who desire the recommendation of the department for secondary school teaching positions. For student teaching in German, see EDUC 4712 under the School of Education. Restricted to students who have been admitted to the teacher education program in the School of Education.

GRMN 4460-6. High School German Teaching. Part of the supervised student teaching in a secondary school required for state certification to teach German. Restricted to students who have been admitted to the teacher education program in the School of Education.

GRMN 4550-3. Senior Seminar: The Roles of Intellectuals and Academics in German Culture. Examines the articulation of the German bourgeoisie during critical periods in German history. Looks at specific groups and their participation in German public culture, e.g., writers, artists, journalists, academics, and political figures. Students work closely with a faculty advisor during the semester and are expected to produce a major research paper. Prereq., GRMN 3020 or instructor consent. Restricted to senior GRMN majors.

GRMN 4900 (1-6). Independent Study. May be repeated up to 6 total credit hours.

German Courses Taught in English +

GRMN 1601-3. Germany Today. Introduces the culture of contemporary German-speaking central Europe, examining historical processes, social and political patterns, and the intellectual and artistic responses to problems of the 20th and 21st centuries. Approved for arts and sciences core curriculum: contemporary societies.

GRMN 1602-3. Metropolis and Modernity. An interdisciplinary introduction to the modern industrial city in Europe and the USA, with particular attention to the representation of urbanism in the visual arts. Approved for arts and sciences core curriculum: literature and the arts.

GRMN 1701-3. Nature and Environment in German Literature and Thought. Critically examines titles in German literature and thought. Nature and environment are used to explore alienation, artistic inspiration, nihilism, exploitation, sexuality, rural versus urban, meaning of the earth, cultural renewal, identity and gender. This “green” survey of German classics spans Romanticism’s conception of nature as unconscious spirit to the politics and values of contemporary Germany’s Green Party. Same as HUMN 1701. Approved for arts and sciences core curriculum: ideals and values.

GRMN 2301-3. Inside Nazi Germany: Politics, Culture, and Everyday Life in the Third Reich. Examines social culture and everyday life in Nazi Germany. Topics include the role of propaganda in the media and entertainment industries, anti-Semitism and suppression of ethnic, social and religious minorities, the role of education and youth organizations, as well as the role of women, the churches, and the effects of a controlled economy before and during World War II. Approved for arts and sciences core curriculum: historical context.

GRMN 2501-3. 20th-Century German Short Story. Short stories by Thomas Mann, Kafka, Boell, and Grass, such as Death in Venice, Metamorphosis, and Cat and Mouse. Emphasizes literary themes, their traditions, and their cultural significance. Approved for arts and sciences core curriculum: literature and the arts.

GRMN 2502-3. Representing the Holocaust. Examines how the memory of the Holocaust in Nazi Germany is increasingly determined by the means of its representation, e.g., film, autobiography, poetry, architecture. Same as JWST 2502. Approved for arts and sciences core curriculum: ideals and values.

GRMN 2503-3. Fairy Tales of Germany. Explores the origins, cultural significance, stylistic and thematic features of the German fairy tale, with emphasis on the Brothers Grimm; on artistic fairy tales by Goethe, Tieck, Brentano, and others; and on modern retellings in literature and popular culture. Approved for arts and sciences core curriculum: literature and the arts.

GRMN 2601-3. Kafka and the Kafkaesque. Exposes the students to a wide selection of Kafka’s literary output and aims to define the meaning of the Kafkaesque, by looking not only for traces of Kafka’s influence in the verbal and visual arts, but also for traces left in Kafka’s own work by his precursors in the literary tradition. Taught in English. Same as HUMN 2601. Approved for arts and sciences core curriculum: literature and the arts.

GRMN 2603-3. Moral Dilemmas in Philosophy and Literature. Examines the moral dilemmas that arise when opportunities afforded by basic freedoms or advances in technology clash with the ethical imperatives that issue from the Enlightenment and the social contract. Guiding questions include: When does the quest for knowledge legitimate transgression of prevailing morality? By what standard do we adjudicate the ambitions of the individual when they compete with the interests of the state? Taught in English. Formerly GRMN 1603. Approved for art and sciences core curriculum: ideals and values.

GRMN 3201-3. German and Russian Culture in Comparative Perspective. Comparative overview of the evolution of German and Russian civilizations in the social, political, religious, and cultural spheres. Taught in English. Same as RUSS 3201.

GRMN 3501-3. German-Jewish Writers: From the Enlightenment to the Present. Provides insight into the German-Jewish identity through essays, autobiographies, fiction, and journalism from the Enlightenment to the post-Holocaust period. Examines the religious and social conflicts that typify the history of Jewish existence in German-speaking lands during the modern epoch. Same as JWST 3501. Approved for arts and sciences core curriculum: human diversity.

GRMN 3502-3. Literature in the Age of Goethe. Features the writings of Germany’s major literary figures from 1749 to 1832. Special attention is paid to the formation of literary periods, genres, aesthetic, and socio-historical developments contributing to the birth of modernism in German intellectual history and literature. Approved for arts and sciences core curriculum: literature and the arts.

GRMN 3503-3. German Film Through World War II. History and theory of Weimar and Nazi film with sociocultural emphasis. Taught in English. Same as FILM 3503.

GRMN 3504-3. Topics in German Film. A comparative analysis of key issues in German culture as they are represented in film and other media, e.g., technology, architecture, women, and the Holocaust. May be repeated up to 6 total credit hours when topic varies. Same as FILM 3504.

GRMN 3505-3. The Enlightenment: Tolerance and Emancipation. Examines the enlightenment belief in reason and the common humanity of all individuals and cultures. Emphasizes arguments for and against freedom of religion, abolition of slavery, and emancipation of women in 18th century European and American literature and thought. Same as HUMN 3505. Approved for arts and sciences core curriculum: ideals and values.

GRMN 3513-3. German Film and Society 1945–1989. Introduces issues in German society through film during the Cold War. Focus on East and West Germany, though some other German language films may be included. Emphasis is on reading films in their social, historical, and political contexts. Taught in English. Same as FILM 3513.

GRMN 3514-3. German Film and Society after 1989. Introduces post-1989 German culture through film. The course emphasizes films in their socio-historical contexts and explores developments in German culture during and after the unification. Taught in English. Same as FILM 3514.

GRMN 3601-3. German Women Writers. Explores writing by German/Austrian women from 1945 to the present, with special attention to the representation of the Holocaust, the continuation of avant-garde traditions, innovations in literary form, and feminism. Visual arts, film, and feminist theory will also be considered in their relation to literature. Taught in English. Same as WMST 3601. Approved for arts and sciences core curriculum: human diversity.

GRMN 3702-3. Dada and Surrealist Literature. Surveys the major theoretical concepts and literary genres of the Dada and Surrealist movements. Topics include Dada performance and cabaret, the manifesto, montage, the readymade, the Surrealist novel, colonialism and the avant-garde, and literary and philosophical precursors to the avant-garde. Taught in English. Same as HUMN 3702. Approved for arts and sciences core curriculum: literature and the arts.

GRMN 4251-3. Marxism. Historical and systematic study of principal themes of Marxist thought, from its Hegelian origins to its contemporary varieties, emphasizing the works of Marx and Engels. Prereq., 12 hours of GRMN or PHIL course work or instructor consent. Same as PHIL 4250.

GRMN 4253-3. Philosophy of Language. Surveys seminal essays from Frege to the present on the philosophy of language. Taught in English.

GRMN 4301-3. Gender, Race, and Immigration in Germany and Europe. Introduce students to debates surrounding migration and race in contemporary Germany. Emphasis on reading texts in context using tools of cultural studies, integrating analyses of gender, race, nation, and sexuality. Texts may include film, literature, television, magazine images, etc. Topics include: questioning “multiculturalism,” self-representation, integration, Islam, citizenship, violence, public space, youth culture, racism and nationalism. Same as GRMN 5301 and WMST 4301. Approved for arts and sciences core curriculum: human diversity.

GRMN 4501-3. Seminar: Literature in Cultural Context. Provides a broader basis for the work of literature, viewing it from various cultural perspectives. Specific content of course is defined by the instructor. May be repeated up to 6 total credit hours when topic varies.

GRMN 4502-3. Nietzsche: Literature and Values. Emphasizes Nietzsche’s major writings from 1872 to 1888 with particular attention to the critique of Western values. Includes a systematic exploration of doctrines, concepts, and ideas leading to the values of creativity. Same as HUMN 4502. Approved for arts and sciences core curriculum: ideals and values.

GRMN 4503-3. Issues in German Thought. Provides the opportunity to examine major issues in German philosophical, social, and religious thought from the end of German idealism to existentialism and critical theory. Emphasizes the relationship between ideas and social and political action. May be repeated up to 6 total credit hours when topic varies.

GRMN 4504-3. Goethe’s Faust. Systematic study of the Faust motif in Western literature, with major emphasis on Faust I and II by Goethe and Thomas Mann’s Doctor Faustus. Same as GRMN 5504, COML 5504 and HUMN 4504. Approved for arts and sciences core curriculum: literature and the arts.

German Graduate Courses +

GRMN 5010-3. Bibliography and Methods of Research. Required of all German MA students. Training in the use of reference works for conducting research in the humanities and social sciences. Analysis of, and hands-on practice with, bibliographic tools specific to German, as well as reference tools inclusive of German-area materials but broader in their scope. Students learn proper procedure for manuscript preparation and submission. Prereq., graduate standing or instructor consent.

GRMN 5020-3. Applied Linguistics and Foreign Language Teaching Methodology. Required of all graduate teaching assistants, this course provides a knowledge of the aspects of German linguistics that are important for teaching German and a survey of foreign language teaching methods and second language acquisition research. Prereq., graduate standing or instructor consent.

GRMN 5030-3. Foundations of Critical Theory. Study of selected texts from the German philosophical tradition of the 19th century, including substantial readings from Kant and Hegel, with attention to theoretical philosophy (epistemology) and practical philosophy (ethical theory). Required course for the graduate certificate in Critical Theory. Recommended prereq., some background in philosophy.

GRMN 5210-3. Seminar: The Age of Enlightenment. Examines the influence of the emerging middle class on the transformation of aesthetic and societal values. Major works of theory, philosophy, literature, and criticism by Lessing, Herder, Kant, J. E. Schlegel, and others. Examines major literary and cultural influences from France and Great Britain. Prereq., graduate standing or instructor consent.

GRMN 5220-3. Seminar: Topics in the Age of Goethe. Examines various aspects of German-speaking society from the 1770s to 1830s. Topics may include Sturm und Drang as social commentary; romantic theory in the wake of the French Revolution; romantic nationalism; the Faust theme; Weimar as a cultural center; and others. May be repeated up to 6 total credit hours when topic varies. Prereq., graduate standing or instructor consent.

GRMN 5230-3. Seminar: Concepts of the Self from Schlegel to Freud and Jung. Profound contributions to the discourses of modernity begin with romanticism and lead to the depth-psychology of Freud and Jung. Examines the major stages in this process: the symbolism of the self in romanticism (Schlegel, E.T.A. Hoffmann, Chamisso), the seminal role of Schopenhauer and Nietzsche, and finally the emergence of the self as the hidden god in the thought of Freud, Jung, Hesse, and others. Prereq., graduate standing or instructor consent.

GRMN 5301-3. Gender, Race and Immigration in Germany and Europe. Same as GRMN 4301.

GRMN 5310-3. Seminar: Topics in the 19th Century. Examines the transformation of realism from Buechner to Gerhart Hauptmann. Topics may include literary responses to the Restoration; intellectuals and the Revolution of 1848; philosophy and literature; theatrical representations of woman, family, and gender; and others. May be repeated up to 6 total credit hours when topic varies. Prereq., graduate standing or instructor consent.

GRMN 5320-3. Seminar: The German Novel from 1901–1956. Beginning with T. Mann’s Buddenbrooks, charts the rise of the German novel in the early 20th century and examines such topics as Wilhelminian society; intellectuals and World War I; dehumanization and alienation; national socialism and literary exile; and others. Authors include T. Mann, H. Hesse, R. Rilke, F. Kafka, A. Seghers, and A. Zweig. Prereq., graduate standing or instructor consent.

GRMN 5330-3. Seminar: German Intellectuals and Society Between the Wars. Examines the period of social crisis and the intellectual responses to the collapse of the prewar order. Gives attention to the antidemocratic thought of Spengler, Juenger, Stefan George and his circle, to the emergence of existentialism with Scheler and Heidegger, and to the search for a new political humanism as evidenced by the work of Thomas Mann. Prereq., graduate standing or instructor consent.

GRMN 5410-3. Seminar: Topics in Early 20th Century German Society. Focuses on major issues, events, movements, and figures prior to World War II. Topics may include the ontology of lyric poetry; Berlin in the 1920s; exiles, their communities, and their writings; women writers from Andreas-Salome to Anna Seghers; topics in German film; and others. May be repeated up to 6 total credit hours when topic varies. Prereq., graduate standing or instructor consent.

GRMN 5420-3. Seminar: Topics in Later 20th Century German Society. Analyzes major currents and events such as the Holocaust, coming to terms with the past (Vergangenheitsbewaeltigung), German Democratic Republic (GDR) literature, and responses to the reunification. Topics may include the Austrians from Anschluss to Haider; Paul Celan; East German writers between Wolf Biermann and Christa Wolf; topics in German film; and others. May be repeated up to 6 total credit hours when topic varies. Prereq., graduated standing or instructor consent.

GRMN 5504-3. Goethe’s Faust. Same as GRMN 4504, HUMN 4504 and COML 5504.

GRMN 5510-3. Seminar: Open Topics in German Civilization. Focuses on cultural issues that cross lines of literary periodization. Topics may include the theater as social criticism from Lessing to Handke; forms of German protest from Luther to Thomas Mann; nihilism from Bonaventura to Thomas Bernhard; topics in German film; and others. May be repeated up to 6 total credit hours when topic varies. Prereq., graduate standing or instructor consent.

GRMN 5520-3. Seminar: Current Issues in German Literature and Media. Examines issues pervading contemporary German literature and media, such as concerns of youth, xenophobia, stereotyping as it affects women and men in their relations, work experience, feminism, problems connected with the reunification, and other issues. Prereq., graduate standing or instructor consent.

GRMN 5900 (1-6). Independent Study. May be repeated up to 6 total credit hours. Prereq., graduate standing or instructor consent.

GRMN 6900 (1-6). Master’s Thesis. May be repeated up to 6 total credit hours. Prereq., graduate standing or instructor consent.

GRMN 6940 (1-3). Master’s Degree Candidate.

Germanic and Slavic Courses +

GSLL 1108-3. Introduction to Jewish History. Surveys Jewish history from the earliest times to the present. Includes biblical history; Judaism in late antiquity, medieval, and early modern times; and special emphasis on the 19th century to the present, including American Judaism, the Holocaust, anti-Semitism, Zionism, and Israel. Same as HIST 1108 and JWST 1108. Approved for arts and sciences core curriculum: historical context.

GSLL 3401-3. The Heart of Europe: Filmmakers and Writers in 20th Century Central Europe. Surveys the major works of 20th century central and central east European film and literature. Examines cultural production in the non-imperial countries and non-national languages of the region including Yiddish, Belarusian, Czech, Hungarian, Polish and Romanian, among others. Traces the rise of nationalism over the course of the century from the age of empires through the Cold War. Same as JWST 3401.

GSLL 5230-3. Russian Cultural Idioms. Focuses on the critical analysis of the Russian cultural discourse through Russian idioms. Taught in Russian. Same as RUSS 4230.

GSLL 5352-3. Russian Novel: Theory and Practice. Examines the Russian novel and its evolution as well as Western and Russian theories of the novel as they engage and reflect upon the claims of modernity. May be repeated up to 6 total credit hours. Same as COML 5352.

GSLL 5421-3. Gogol. Explores major fictional and dramatic texts of great Russian writer Nikolai Vasil’evich Gogol (1809–52)—“the strangest prose-poet Russia ever produced” (Nabokov). Works will be analyzed in the context of Western and Russian Romanticism. Relevant nonfiction texts will also be introduced when appropriate. Class will be run largely as group discussion, with necessary historical and critical background provided. Recommended prereq., RUSS 4811.

GSLL 5431-3. Dostoevsky. Focuses on close reading of major novels and other works by Dostoevsky, one of the most important psychological novelists in modern literature, a profound religious thinker, and the greatest crime novelist in the world. Same as RUSS 4431.

GSLL 5441-3. Tolstoy. Examines the developments of Tolstoy’s thought and literary style through study of the novel War and Peace and short works from different periods of Tolstoy’s writing. Same as RUSS 4441.

GSLL 5451-3. Chekhov. Analyzes the life and creative works of the author of some of the funniest and some of the gloomiest stories in Russian literature. Examines Chekhov’s major plays that laid the foundation for modernist theatre. Same as RUSS 4451.

GSLL 5471-3. Women in 20th Century Russian Culture. Acquaints students with major issues concerning women in 20th century Russian culture. Examines sources from folk culture, popular culture, and high culture (poetry, prose, songs, tales, visual art, and cinema) that mythologize or question women’s images and societal roles. All texts and films are offered in English translation. Same as RUSS 4471 and WMST 4471.

GSLL 5830-3. Topics in Literature and History. May be repeated up to 6 total credit hours. Same as COML 5830.

GSLL 5851-3. Critical Thinking: Russian Film and Society. Through structured discussions, selected readings, and written assignments, examines topics in Russian film from socio-historical and cultural studies perspectives. Identification and critical analysis of concepts and assumptions underlying differing cinematic approaches to controversial topics. Same as RUSS 4851.

GSLL 5861-3. Absurd and Supernatural in Russian Literature. Studies themes of grotesque, bizarre, surreal, absurd, supernatural, and fantastic in Russian short stories and novels of the 19th and 20th centuries. Discusses works by Pushkin, Gogol, Dostoevsky, Kharms, Bulgakov, Siniavskii, Petrushevskaia, and Pelevin, within contexts of Russian folklore, Freud and Jung’s interpretations of jokes and dreams, and Romanticism. Recommended prereq., one upper division humanities course. Same as RUSS 4861.

GSLL 5900 (1-6). Independent Study. May be repeated up to 6 total credit hours. Prereq., graduate standing or instructor consent required.

Hebrew +

HEBR 1010-4. Beginning Hebrew 1. First semester Hebrew is a beginning level course designed for students who have little or no prior knowledge of Hebrew. Begins with learning the Hebrew alphabet and immediately starts developing rudimentary Hebrew conversational, reading and writing skills. By the end of the semester students are expected to have attained basic understanding and expressive abilities in Hebrew.

HEBR 1020-4. Beginning Hebrew 2. Second semester builds on Hebrew skills introduced in the first semester, with a focus on speaking, comprehension, reading and writing. Students learn new verbal tenses and paradigms. The course blends a communicative method with formal grammatical instruction. By the end of this semester students are expected to be able to converse in, comprehend, and produce written basic Hebrew. Prereq., HEBR 1010 (min. grade C-) or instructor consent.

HEBR 1030-3. Biblical Hebrew. This course is designed to enable students to read the Hebrew Bible in the original language. The focus will be the ability to read the various genres of the text, utilizing both the tools of modern language acquisition and the study of classical grammar methods. Same as JWST 1030.

HEBR 1040-3. Biblical Hebrew 2. Building on HEBR/JWST 1030, this course continues to build expertise in reading the Hebrew Bible. Modern language acquisition and classical grammar study methods equip students with the tools to translate and read the various genres of the Biblical material. Prereq., HEBR/JWST 1030 or instructor consent. Same as JWST 1040.

HEBR 2110-4. Intermediate Hebrew 1. Third semester Hebrew builds on skills introduced in the first two semesters and focuses on speaking, comprehension, reading and writing. Students learn new verbal tenses and paradigms, modes of expression and syntactical forms. The course blends a communicative method with formal grammatical instruction. By the end of the semester students are expected to be able to converse in, comprehend, and produce written Hebrew at an intermediate level. Meets MAPS requirement for foreign language. Prereq., HEBR 1020 (min. grade C-) or instructor consent.

HEBR 2120-4. Intermediate Hebrew 2. Focuses on texts, while still developing speaking, comprehension and writing skills. Students build on grammatical understanding while learning some of the more sophisticated verbal paradigms and nominal patterns. The course blends a communicative method with some formal grammatical instruction. By the end of this semester students are expected to converse in, comprehend, and produce written Hebrew at an intermediate level. Prereq., HEBR 2110 (min. grade C-) or instructor consent.

HEBR 2350-3. Introduction to Jewish Culture. Explores the development and expressions of Jewish culture as it moves across the chronological and geographical map of the historic Jewish people, with an emphasis on the variety of Jewish ethnicities and their cultural productions, cultural syncretism, and changes. Sets the discussion in a historical context, and looks at cultural representations that include literary, religious, and visual texts. Taught in English. Same as JWST 2350. Approved for arts and sciences core curriculum: human diversity.

HEBR 2352-3. Introduction to Modern Jewish History. Explores the major historical events and socio-cultural themes in modern Jewish history including the French Revolution, the rise of modern anti-Semitism, the international migration of Jews, the Holocaust, and the establishment of Israel. Taught in English. Recommended prereq., HEBR 2350.

HEBR 2551-3. Jewish World Literature: Modern to Contemporary. Studies the literary expression of Jewish writers throughout the world in English translation. Gives special attention to questions of secularity versus tradition, identity, cultural change, diaspora and exile. Taught in English. Same as JWST 2551.

HEBR 3010-3. Third Year Hebrew, First Semester. Focuses on students’ active Hebrew language skills acquired in the first four semesters of Hebrew at CU Boulder in weekly conversation and composition sessions. Develops grammatical understanding with a further exploration of the root, verbal and noun systems. Students are introduced to texts in contemporary Hebrew fiction and poetry, as well as some biblical readings. Prereq., HEBR 2120 (min. grade C-) or instructor consent.

HEBR 3020-3. Third Year Hebrew, Second Semester. Focuses on students’ Hebrew language skills acquired in the first five semesters of Hebrew at CU Boulder in weekly conversation and composition sessions. Develops grammatical understanding with a further exploration of the root, verbal and noun systems. Students are introduced to texts in contemporary Hebrew fiction and poetry, as well as some biblical readings, academic texts and Israeli newspapers. Prereq., HEBR 3010 (minimum grade C-) or instructor consent.

HEBR 3202-3. Women, Gender, and Sexuality in Jewish Texts and Traditions. Reads some of the ways Jewish texts and traditions look at women, gender and sexuality from biblical times to the present. Starts with an analysis of the positioning of the body, matter and gender in creation stories, moves on to the gendered aspects of tales of rescue and sacrifice, biblical tales of sexual subversion and power, taboo-breaking and ethnos building, to rabbinic attitudes towards women, sexuality and gender and contemporary renderings and rereadings of the earlier texts and traditions. Same as JWST 3202. Approved for arts and sciences core curriculum: human diversity.

HEBR 3840-3. Independent Study. Prereqs., HEBR 1010, 1020, 2110, and 2120.

HEBR 3850-3. Independent Study. Prereqs., HEBR 1010, 1020, 2110, 2120, and 3840.

HEBR 4101-3. Topics in Hebrew Studies. Explores topics in Hebrew and Jewish literature and culture. These may include topics such as diasporic literatures, Jewish artists and thinkers, courses on specific authors, figures or communities. Topics change each semester. May be repeated up to 9 total credit hours. Same as JWST 4101.

Norwegian +

NORW 1010-4. Beginning Norwegian 1.

NORW 1020-4. Beginning Norwegian 2. Prereq., NORW 1010 with a grade of C- or better.

NORW 1900 (1-6). Independent Study. May be repeated up to 6 total credit hours.

NORW 2110-4. Second-Year Norwegian Reading and Conversation 1. Prereq., NORW 1020 with a grade of C- or better. Fulfills the arts and sciences language requirement for the BA and BFA. degrees. Meets MAPS requirement for foreign language.

NORW 2120-4. Second-Year Norwegian Reading and Conversation 2. Continuation of NORW 2110, with focus on Norwegian culture and society. Small group work and class discussions. Prereq., NORW 2110 with a grade of C- or better.

NORW 3900 (1-6). Independent Study. May be repeated up to 6 total credit hours.

Russian +

RUSS 1010-4. Beginning Russian 1. For students with no previous training in Russian. Credit not granted for this course and RUSS 1050.

RUSS 1020-4. Beginning Russian 2. Continuation of RUSS 1010. Prereq., RUSS 1010 (min. grade of C-). Credit not granted for this course and RUSS 1050.

RUSS 1050-5. Intensive Beginning Russian. Covers same material as RUSS 1010 and RUSS 1020 combined in one course. Focuses on acquiring basic grammar (all cases for nouns, adjectives and possessives, verb conjugations, in all three tenses), and ability to understand and speak basic everyday Russian. Develops basic reading and writing skills and provides exposure to the fundamentals of the Russian culture. Credit not granted for this course and RUSS 1010 or 1020.

RUSS 1900 (1-6). Independent Study. May be repeated up to 6 total credit hours.

RUSS 2010-4. Second-Year Russian 1. Review and continuation of basic skills learned in the first year: reading, writing, speaking, and oral comprehension. Prereq., RUSS 1020 (min. grade C-). Meets MAPS requirement for foreign language. Satisfies arts and sciences language requirement.

RUSS 2020-4. Second-Year Russian 2. Continuation of RUSS 2010. Prereq., RUSS 2010 (min. grade of C-).

RUSS 3000-3. Advanced Conversation. Enables students to speak and understand contemporary Russian. Discussion topics and source materials vary. May be repeated up to 6 total credit hours. Prereq., RUSS 2010.

RUSS 3010-3. Third-Year Russian 1. Review of Russian grammar coordinated with reading, speaking, writing, and understanding modern Russian. Uses some texts from modern Russian literature. Prereq., RUSS 2020. Credit not granted for this course and RUSS 3060.

RUSS 3020-3. Third-Year Russian 2. Continuation of RUSS 3010. Prereq., RUSS 3010.

RUSS 3050-3. Business Russian. Studies general commercial practices, vocabulary, and terminology applied in various business transactions. Emphasizes oral and written communication and correspondence. Prereq., RUSS 2020 or instructor consent.

RUSS 3060-3. Advanced Russian for Heritage Speakers (Part 1). Enhances heritage student competence and performance in Russian language. The course offers intensive review of Russian grammar and focuses on developing advanced reading, writing and translation skills. Readings are selected from a wide range of contemporary writings that reflect current issues in Russia. Credit not granted for this course and RUSS 3010.

RUSS 3900 (1-6). Independent Study. May be repeated up to 6 total credit hours.

RUSS 3930 (1-6). Russian Internship. Provides an academically supervised opportunity for upper-division students to earn credit while working for public or private organizations. Students apply skills and knowledge earned in the major, and supplement their work experience through directed readings and assignments. May be repeated up to 6 total credit hours. Restricted to junior and senior RUSS majors.

RUSS 4010-3. Advanced Conversation and Composition 1. Prereq., RUSS 3020.

RUSS 4020-3. Advanced Conversation and Composition 2. Prereq., RUSS 4010.

RUSS 4060-3. Advanced Russian for Heritage Speakers (Part 2). Enhances heritage student competence and performance in Russian language. The course offers intensive review of Russian grammar and focuses on developing advanced reading, writing and translation skills. Readings are selected from a wide range of contemporary writings that reflect current issues in Russia. Recommended prereq., Russian languages skills equivalent to three years of college Russian.

RUSS 4210 (1-3). Open Topics: Russian Language and Culture. Selected topics in Russian literature, film, art, and music. May be repeated up to 9 total credit hours when topic varies. Prereq., RUSS 3020.

RUSS 4230-3. Russian Cultural Idioms. Focuses on the critical analysis of the Russian cultural discourse through Russian idioms. Taught in Russian. Prereq., RUSS 2020 or instructor consent. Same as GSLL 5230.

RUSS 4900 (1-6). Independent Study. May be repeated up to 6 total credit hours.

Russian Courses Taught in English +

RUSS 2211-3. Introduction to Russian Culture. Provides a chronological overview of civilization in the area now known as Russia, from its beginnings to the end of the Romanov dynasty, paying particular attention to the geographic, social, artistic, economic, and political forces that have combined to give the Russian people and their culture their unique characteristics. Approved for arts and sciences core curriculum: historical context.

RUSS 2221-3. Introduction to Modern Russian Culture. Introduces students to major trends in Russian culture from the 1890’s to the present, through the study of literature, art, architecture, music, journalism and film in an historical context. Addresses such questions as: how have past events affected Russian society? How can we use knowledge about Russia’s past to understand social and cultural forces today? Approved for arts and sciences core curriculum: contemporary societies or historical context.

RUSS 2231-3. Fairy Tales of Russia. Provides a general introduction to fairy tales including various theoretical approaches to classifying and interpreting them; introduces students to a wide selection of Russian folk and fairy tales. Examines the cultural, social and political values they reflect, as well as the continuing influence of fairy tales and folk beliefs in Russian literature, music, folk art, and film, as well as in the political propaganda of the 20th century. Approved for arts and sciences core curriculum: literature and the arts.

RUSS 2471-3. Women in Russian Culture: From Folklore to the 19th Century. Explores the changing role and cultural images of women as reflected in Russian folklore, medieval documents, and literature (fiction and non-fiction) of the 10th-19th centuries. Focuses on the construction of gender in traditional (patriarchal) Russian culture and on the strategies of women’s resistance to the political, social and cultural implications of gender stereotypes. Although the course includes works of Russian women and men alike, it intends to revise the canon of Russian culture by reading them through the prism of gender issues of their times. Knowledge of Russian is not required. Taught in English. Approved for arts and sciences core curriculum: historical context.

RUSS 2501-3. Russia Today. Introduces students to post-communist Russia, its values and ideologies. It is equally wrong to interpret post-Soviet society through the prism of the Cold War as through the models of contemporary post-industrial capitalism. Neither totalitarian nor liberal, contemporary Russia raises numerous questions about such ideological and cultural constructions as neo-liberalism and capitalism, nationalism, globalization, the state power, and popular vs. high cultures. Approved for arts and sciences core curriculum: contemporary societies.

RUSS 3201-3. German and Russian Culture in Comparative Perspective. Comparative overview of the evolution of German and Russian civilizations in the social, political, religious and cultural spheres. Taught in English. Same as GRMN 3201.

RUSS 3211-3. History of Russian Cinema. Surveys Russian cinema in historical and cultural context from early 20th century to the present. Prereq., RUSS 2221 or FILM 1502. Same as FILM 3211. Approved for arts and sciences core curriculum: literature and the arts.

RUSS 3231-3. Laughter in Slavic Cultures. Examines forms, genres and social functions of laughter in Slavic cultures (Russian, Polish, Czech, Serbian, and others). Analysis of the carnivalesque, grotesque, and irony in the works of Gogol, Chapek, Hashek, Lem, Kundera, Gombrowicz, Kharms, Zoshchenko, Ilf and Petrov, Kusturica, Kieslewsky, and other authors; also provides an introduction to literature and film of Eastern Europe. Taught in English.

RUSS 3301-3. Contemporary Issues in Russian Film. Examines the relationship between politics, economics, aesthetics, and the way moral and social issues are treated in noteworthy Russian films from the last 20 years. Same as FILM 3301.

RUSS 3601-3. Russian Culture Past and Present. Russian culture from the ninth century to the present. Focuses on interdisciplinary exploration of literature, folklore, art, architecture, and music through study in St. Petersburg. Offered abroad only. Similar to RUSS 1601. Approved for arts and sciences core curriculum: historical context.

RUSS 3701-3. Slavic Folk Culture: Ideals and Values in the Contemporary World. Explores contemporary Slavic and American folk practices and investigates the possible origins and consequences of such practices. Focuses upon the value systems these practices represent, and ways that core values help to define identities and cultures. Topics include folk religion, magic, healing, life cycle and calendar rituals and folk music. Approved for arts and sciences core curriculum: ideals and values. Taught in English.

RUSS 4221-3. Cultural Mythologies of Russian Communism. Investigates how cultural and ideological myths as those of a great leader, utopian future, a new man, a hero, “enemies of the people”, and some others were produced in Soviet Russia from the 1920s to the 1950s; what general mechanisms of the cultural production in the age of modernity do they reveal. Recommended prereqs., RUSS 4821, 2221, 2211. Approved for arts and sciences core curriculum: ideals and values.

RUSS 4301-3. American-Russian Cultural Relations. Surveys the development of American-Russian cultural relations from the second half of the 18th century to the present. Examines the character and significance of Russian-American relations in social, intellectual, artistic, and other spheres from a comparative perspective. Restricted to juniors/seniors. Approved for arts and sciences core curriculum: historical context or U.S. context.

RUSS 4421-3. Gogol. Explores major fictional and dramatic texts of great Russian writer Nikolai Vasil’evich Gogol (1809–52) “the strangest prose-poet Russia ever produced” (Nabokov). Works will be analyzed in the context of Western and Russian Romanticism. Relevant nonfiction texts will also be introduced when appropriate. Class will be run largely as group discussion, with necessary historical and critical background provided. Same as GSLL 5421.

RUSS 4431-3. Dostoevsky. Focuses on close reading of major novels and other works by Dostoevsky, one of the most important psychological novelists in modern literature, a profound religious thinker, and the greatest crime novelist in the world. Same as GSLL 5431.

RUSS 4441-3. Tolstoy. Examines the developments of Tolstoy’s thought and literary style through study of the novel War and Peace and short works from different periods of Tolstoy’s writing. Recommended prereq., some experience with college-level expository writing. Same as GSLL 5441.

RUSS 4451-3. Chekhov. Analyzes the life and creative works of the author of some of the funniest and some of the gloomiest stories in Russian literature. Examines Chekhov’s major plays that laid the foundation for modernist theatre. Same as GSLL 5451.

RUSS 4471-3. Women in 20th Century Russian Culture. Acquaints students with major issues concerning women in 20th century Russian culture. Examines sources from folk culture, popular culture, and high culture (poetry, prose, songs, tales, visual art, and cinema) that mythologize or question women’s images and societal roles. All texts and films are offered in English translation. Recommended prereq., course(s) in literature or film studies, and upper-division writing courses. Same as WMST 4471 and GSLL 5471. Approved for arts and sciences core curriculum: human diversity.

RUSS 4811-3. 19th Century Russian Literature. Surveys background of Russian literature from 1800 to 1900. Russian writers and literary problems in the 19th century emphasizing major authors: Pushkin, Lermontov, Gogol, Dostoevsky, Turgenev, Tolstoy, and Chekhov. Same as HUMN 4811. Approved for arts and sciences core curriculum: literature and the arts.

RUSS 4821-3. 20th Century Russian Literature and Art. Interdisciplinary course emphasizing the influence of art in 20th century Russian literature. Follows the changing cultural landscape from the time when Russia was in the vanguard of modern European literature to the gradual cultural relaxation that culminated in perestroika and glasnost. Same as HUMN 4821. Approved for arts and sciences core curriculum: literature and the arts.

RUSS 4831-3. Contemporary Russian Literature. Acquaints students with the most representative works of Russian writers from the 1960s to the present in a broad historical and political perspective. Examines the relationships between ideological concepts and aesthetics, and the treatment of moral and social issues in recent literary works. All readings are provided in translation. Recommended prereq., lower level literature course. Approved for arts and sciences core curriculum: literature and the arts or contemporary societies.

RUSS 4851-3. Critical Thinking: Russian Film and Society. Through structured discussions, selected readings, and written assignments, examines topics in Russian film from socio-historical and cultural studies perspectives. Identification and critical analysis of concepts and assumptions underlying differing cinematic approaches to controversial topics. Prereqs., RUSS 2221 or RUSS/FILM 3301 and RUSS 3010 or equivalent. Same as GSLL 5851.

RUSS 4861-3. Absurd and Supernatural in Russian Literature. Studies themes of grotesque, bizarre, surreal, absurd, supernatural, and fantastic in Russian short stories and novels of the 19th and 20th centuries. Discusses works by Pushkin, Gogol, Dostoevsky, Kharms, Bulgakov, Siniavskii, Petrushevskaia, and Pelevin, within contexts of Russian folklore, Freud and Jung’s interpretations of jokes and dreams, and Romanticism. Recommended prereq., one upper division humanities course. Same as GSLL 5861.

Nordic Studies (Scandinavian) +

Nordic Studies Courses Taught in English +

SCAN 1202-3. Tolkien’s Nordic Sources and The Lord of the Rings. Examines the Nordic aspect of JRR Tolkien’s work, especially The Lord of the Rings. The course concentrates on the Nordic saga tradition, mythology, folklore and fairy tales Tolkien used as his sources. Students will explore the transformations of these sources from prehistoric times to contemporary cinematic adaptations, while paying special attention to cultural appropriations, national revisions, and political alterations. Approved for arts and sciences core curriculum: literature and the arts.

SCAN 1900 (1-6). Independent Study. May be repeated up to 6 total credit hours.

SCAN 2201-3. Introduction to Modern Nordic Culture and Society. Provides a comprehensive introduction to modern Nordic culture and society. Surveys the history of Nordic countries and examines their culture using art, architecture, literature, and film. Studies social issues, environmental concerns, and political patterns. In profiling aspects of culture and society unique to Nordic countries, students arrive at a conception of a collective Nordic identity. Approved for arts and sciences core curriculum: contemporary societies.

SCAN 2202-3. The Vikings. Examines the social, cultural, technological, and artistic backgrounds of the Viking experience, charting the history of the period both within the Nordic region and Europe as well as North America. Additionally, looks at some of the lasting influences of the Vikings on Western civilization. Approved for arts and sciences core curriculum: historical context.

SCAN 2900 (1-6). Independent Study. May be repeated up to 6 total credit hours.

SCAN 3201-3. Contemporary Nordic Society and Culture. Explores contemporary Nordic culture and society with special focus on Iceland. Emphasis is on the relationship between historical, geographic, artistic, and political forces in Iceland and their effects on culture and society. Provides insight into the life and attitudes of contemporary Icelanders and stresses their place in the global culture of today. Recommended prereq., SCAN 2201. Approved for arts and sciences core curriculum: contemporary societies.

SCAN 3202-3. Old Norse Mythology. Surveys the mythology and heathen cult practices of the Old Norse world. Students learn to read mythological texts and study the major gods (Odin, Thor, Frey and Freyja, among others), along with other mythological beings. The course examines and evaluates evidence for beliefs and cult practices in texts, art, archeological finds, and other sources. Approved for arts and sciences core curriculum: literature and the arts.

SCAN 3203-3. 19th and 20th Century Nordic Literature. Examines the Nordic region’s influence on social realism, expressionism, and postwar literature, including such themes as women in society, nature and industrialization, and identity and angst. May include works by Ibsen, Strindberg, Dinesen, and Nobel Prize winners Lagerlof, Hamsun, Undset, and Lagerkvist. Approved for arts and sciences core curriculum: literature and the arts.

SCAN 3204-3. Medieval Icelandic Sagas. Advanced introduction to medieval Icelandic saga with readings in the family, outlaw, skald, and legendary sagas as well as the main scholarly approaches to this unique literature. Topics include honor, blood feud, fate, sexuality/gender, oral composition, and legend. Approved for arts and sciences core curriculum: literature and the arts.

SCAN 3205-3. Scandinavian Folk Narrative. Introduces the rich tradition of Scandinavian oral narrative. Looks at relationships between the various genres of oral narrative and their historical, social, and cultural contexts. Genres studied may include ballad, fairy tale, rural legend, and urban legend. Explores various interpretive methodologies. Approved for arts and sciences core curriculum: literature and the arts.

SCAN 3206-3. Nordic Colonialisms. Examines Nordic colonial enterprise and the relationship between the Scandinavian center and colonial peripheries from the Arctic to the Caribbean, Africa, and India. Studies colonial and postcolonial cultures, and postcolonial criticism and theory. Approved for arts and sciences core curriculum: human diversity.

SCAN 3208-3. Women in Nordic Society: Modern States of Welfare. Examines the role and status of women and marginalized social classes in the Nordic countries, whose societies have been heralded as egalitarian models since the twentieth century. Texts include a variety of media, from literature to sociological works to artifacts of political and popular culture. Same as WMST 3208. Approved for arts and sciences core curriculum: human diversity.

SCAN 3209-3. Contemporary Nordic Literature and Film. Advanced introduction to contemporary Nordic literature and film. Readings/screenings of recent translated Nordic texts and films, presenting a broad spectrum of contemporary issues, along with current critique and theoretical approaches. Topics: history, culture, translation, gender/sexuality, national identity, minority issues, etc. Taught in English.

SCAN 3506-3. Scandinavian Drama. Examines the many contributions of Scandinavian dramatists to world theater from the 18th century to the present. With emphasis on Holberg, Bjornson, Ibsen, Strindberg, and Bjorneboe, surveys Enlightenment comedy, national romanticism, realism, naturalism, symbolism, expressionism, and Brechtian epic theater. Taught in English. Approved for arts and sciences core curriculum: literature and the arts.

SCAN 3900 (1-6). Independent Study. May be repeated up to 6 total credit hours.

Swedish +

SWED 1010-4. Beginning Swedish 1.

SWED 1020-4. Beginning Swedish 2. Prereq., SWED 1010 (min. grade of C-).

SWED 1900 (1-6). Independent Study. May be repeated up to 6 total credit hours.

SWED 2110-4. Second-Year Swedish Reading and Conversation 1. Prereq., SWED 1020 (min. grade C-). Meets MAPS requirement for foreign language. Fulfills the arts and sciences language requirement for the BA and BFA degrees.

SWED 2120-4. Second-Year Swedish Reading and Conversation 2. Prereq., SWED 2110 with a grade of C- or better.

SWED 3900 (1-6). Independent Study. May be repeated up to 6 total credit hours.

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