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The
power of understanding text as a network lies in the theoretical
assertion that meaning exists in the links
that an author or a reader, or some combination therein, forms between
distinct lexia.
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That
is, the power of the hypertext lies in its capacity to transcend itself
in a desirous freeplay.
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In
this relational method of textual construction, meaning is no longer extracted
through the consumption of a bounded textual corpse.
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Rather
it is produced in an action that implicates the author, the reader,the
performance, and all of their intersections. This is the playful text;
one that is playful not only in the recognition
of its own nudity, but in the momentary garments that it inhabits.
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