A. GENERAL INFORMATION April, 2007
   1. Type of venue: Proscenium, Auditorium
   2. Seating Capacity:

  Orchestra: 1330
  Loge I (balcony): 255
  Loge II (balcony): 426
  4 Opera Boxes: 36
  TOTAL SEATING: 2047

    3. Stagehands are:

  1. Union (only if yellow card company)
  2. Non-union (students & non-students)

    4. Number of dressing rooms: 4

  1. 2 principal (10 people; one is prod. office)
  2. 2 chorus (40 people, 12 people)

   5. Dressing rooms equipped with:

  1. Mirrors and make-up lights, clothes racks, lockers, iron/table, steamer
  2. Hot water and showers, toilets

    6. Clearcom system links all dressing rooms as well as all technical areas with 2-way intercom and/or headset.

  1. Brain in control booth links with light board, sound booth, four spot positions, attic, fly deck, dimmer room, amp room, stage manager, in-house position, wings, prop room, orchestra pit and all dressing rooms.
  2. Fully programmable on four channels
  3. Independent phone system links stage areas with house and outside.

   7. Loading dock is at stage level, east side of facility. Access is from University Avenue & 17th Street. One truck can unload at a time.

  1. Width of loading door: 8'
  2. Height of loading door: 9'2"
  3. Height of loading dock: 4'6"

   8. Orchestra pit is sunken two-tiered extending 10'6" under stage. The Orchestra pit cover/ apron are not on a lift; the pit cover cannot be removed to gain seating or sightlines.

  1. Total area: 28' x 52'
  2. 1st tier : 3'3" below house floor and 6'4" x 58'
  3. 2nd tier: 1'10" below 1st tier and 24'8" x 48'
  4. Depth from stage surface to orchestra pit floor: 8'
  5. Overhead clearance under stage: 7'
  6. Stage lip to house floor: 41"
  7. Accommodates: 50
  8. Orchestra Chairs: 90
  9. Manhasset Stands: 80
  10. Piano: Yamaha Upright
  11. Access: Tight, stage right through basement

   9. Studio/rehearsal room not available in building. Small greenroom in basement adjacent to a chorus dressing room.

10. Cross-over:

  1. Through basement
  2. Behind traveller if 3'0" clearance upstage is plotted .

   11. Concert Hall can be darkened for lighting work during daylight hours.

   12. Oxygen can be provided if requested in advance of performance. The elevation of Boulder is 5,354 feet.

   13. Baldwin SD-10 Grand Piano

   14. Washer and dryer located in basement outside dressing room.

B. STAGE DIMENSION
   1. Width of proscenium opening: 37'10"
   2. Height to peak of proscenium arch: 28'
   3. Height and/or width of proscenium opening can be varied only by main house curtain and teaser.
   4. Apron from lip to smoke pocket:

  1. 6'6" without pit cover
  2. 16'4" with pit cover

   5.Distance from apron lip to house curtain: 16'6"
   6. Height of grid from stage floor: 48'10"'
   7. Total width of stage from off-stage wall to off-stage wall: 73'Height to peak of proscenium arch: 28'
   8. Wing space:

  1. Stage right: 12'2"
  2. Stage left: 23'
  3. 9' Piano stored permanently stage left
  4. Clear height above stage right: 13'6"
  5. Clear height above stage left: 13'6"

   9. Depth of stage from house curtain to last set of lines: 27'6". Depth to back wall: 28'
   10. Distance from closest seat in audience to edge of stage: 6' (22' without pit cover)
   11. Stage: 37' wide by 28'6" deep

C. STAGE RIGGING
   1. Hemp (Stage set-X/Polyester): sandbag/block and fall: stage right fly operation, roughly 8" centers 22 spare battens. (40' to 48' in length). Three line set allows an #850 distributed load.
   2. Counterweight: Eight lines, stage left operation. NO spares - used for 3 electrics, acoustic ceiling and main curtains.
   3. Cyclorama:

  1. Color: creamy white (R.P. or F. P.)
  2. Type: plastic opera cyc, seamless, transluscent
  3. Condition: good, 42' x 24'

   4. Main act curtain

  1. Color: plum (velour/27 ounce)
  2. Type: traverse
  3. Condition: excellent
  4. Operation: manual (operation stage left, stage level)

   4. Midstage Blackout curtain

  1. 18 oz. Encore black velour 25'H X 46'W
  2. Type: Guillotine (rigged on hemp)
  3. Condition: Excellent
  4. Operation: manual (operation stage right, hemp rail)

   4. Upstage Blackout curtain

  1. 22 oz. Encore black velour 24'6"H X 46'W
  2. Type: Guillotine (rigged on hemp)
  3. Condition: Excellent
  4. Operation: manual (operation stage left, hemp rail)
  5. Two spare 48' traveller tracks are available.

   6. Number of border curtains: 3 hung, 1 extra Color: black velour (10' by 60')
   7. Number of pairs of legs: 4 hung, Color: black velour 24'X 16' flat
   8. Scrims:

  1. Sharkstooth black, 42' x 24' high, good
  2. Sharkstooth white, 42' x 24' high, excellent

D. FLOOR

   1. Type of stage floor: Hardwood/Maple, 3 layer tongue and groove sprung on neoprene, on pine stringers on concrete. Excellent condition.
   2. Type of finish: black (ebony) satin stain (not flat black), sealed with Polyurethane/no wax
   3. Full black/grey Harlequin dance floor available.

E. MISCELLANEOUS INFORMATION

   1. Covered snake trough (5" x 5") running from in-house mix position to orchestra pit and stage.
   2. Under stage cable crossover from downstage right to downstage left (1' x 1')
   3. House mixing position: 10'8" x 8'
   4. Orchestra enclosure:

F. SOUND EQUIPMENT

   1. The sound system is a high fidelity, monophonic, multi-field system used mainly as P.A. & support for acts requiring a moderate level of high quality enforcement.
   2. Amplifiers (in amp room)

  1. JBL 6230 Power Amplifiers (6)
  2. JBL 6260 Power Amplifiers (2)
   3. Speakers/PA:
  1. Main Cluster: at proscenium arch
    1. Meyer M-1 control unit (at amp room)
    2. Meyer UPA-1 loudspeakers (2)
    3. JBL 5234A low pass filter with 51-5138 filter card (at amp room)
    4. JBL 4565 Sub Woofer (mounted on fire wall above proscenium arch)
  2. Delayed Cluster : over center house
    1. Meyer M-1 control unit (at amp room)
    2. Meyer UPA-1 loudspeakers (2)
  3. Under Balcony
    1. JBL 2118H Loudspeakers (6)
    2. JBL 2404H Horns (6)
    3. JBL 3104 Crossovers (6)
  4. Stereo 3-way system: EV 300 series powered PA (2)
   4. House PA/Processors (in amp room)
  1. UREI 539 Equalizer (1)
  2. JBL 5549 Equalizers (2)
  3. dbx 160x limiter (2)
  4. Rane RPM267 Digital signal processor
  5. Shure M267 Portable microphone mixer
  6. TOA M-900 6 channel mixer/preamplifier summing amp with TOA H-015 mikepreamp, B-015 bridging input, T-015 line output modules
   5. Microphones, Mixers
  1. Shure SM87, Condenser Super Cardioid (3), Shure SM81 (2), Shure SM58 (8), Shure SM57 (2)
  2. Sennheiser MD421 (1)
  3. AT 2151 (1)
  4. AKG 535 (2), C1000 (2)
  5. AKG 415 (2)
  6. Crown PCC 160 (3)
  7. Yamaha O2R digital recording Mixer
  8. Yamaha M7CL Live digital Mixer: 48X14
  9. Mackie 16 x 4 channel mixer
  10. Soundcraft 400B channel 24-4-2 standard (all mixers: in booth or at in-house mix position)
   6. Wireless Microphone System
  1. Shure TD ULXP4 (4-handhelds, Instrument or laveliers/ 1-countryman E6 headset)
  3. AKG UHF 880 wireless (8)
  4. AKG Lavaliers (8), AKG handheld (4)
   7. Cabling
  1. Wireworks MB-11 11 ch. multi boxes (4)
  2. Wireworks MK11-50 50' 11 Channel snakes with tails (4)
  3. Multicable mic lines running from stage or booth to house mix position are available in 11 channel increments, totalling 44 channels. These lines terminate in standard wireworks, multipin connectors.
   8. Stage Monitor System
  1. Crown XLS 602 (2)
  2. dbx 2031 (2), sbx 231 stereo (1)
  3. JBL 4602B Monitor Loudspeakers, wedge style (4-2 are hung overhead wing two)
  4. Mackie powered monitor speakers (2)
  5. Spare: TOA P10600 amp(1)
   9. Portable Players/Processors
  1. Tascam MD801R Minidisc
  2. Tascam MD301mkII Minidisc
  3. Gemini CDX601 cueable CD players (2)
  4. Tascam CD150
  5. Tascam DA301mkII DATape
  6. Tascam 102mkII Cassette Tape
  7. Yamaha 02013A 32 band stereo EQ
  8. REV100 effects processor
   10. Hotspots/AV
  1. Galaxy Audio, 2 input (2)
  2. Yamaha MS101II (4)
  3. 7" B&W monitors (3), 7"-14" Color monitors (4)
  4. SVHS camera (2) w/tripods
  5. Minicams (CCTV) (3)
   11. Hearing Impaired System
  1. Phonic Ear 551A Audio Control (1)
  2. Phonic Ear 551R Receivers (10)
  3. Phonic Ear AT-360 Headsets (12)
  4. Phonic Ear AT-119 Teleloop (5)

F. LIGHTING EQUIPMENT

   1. ETC EXPRESSION 3 computer lighting console. 500 Ch. Effects library, single processor, DMX
   2. ETC Smartfade Console.
   3. Strand Century (Environ 2 ) House Light consoles; Operated SL, SR, or in booth.
   4. Backup Console: ETC Impression I 150 Ch.
   5. Strand Century CD80 Supervisor-SCR Dimmer modules, either AMX192 or DMX512:
  1. CD80/90 Supervisor electronics
  2. 72 - 1.2 KW Dimmers (in Dual modules)
  3. 116 - 2.4 KW Dimmers (in Dual modules)
  4. 6 - 2.4 KW Non-dims
  5. 2 - 6.0 KW Dimmers or Non-dims
    Non dims must be arranged in advance.
   6. Type of connectors required: 3-pin stage plugs
   7. Booms (8): portable, 10' in height. Side ladders at all 4 wing-centers; hanging pos. @ 13'6", 12' and 10'6". Pipe end ladders are also available with two positions.
   8. Followspots: (2) Strong Super Trooper II (2000w xenon), (2) Phoebus Ultra arc. Spot Locations: 2 in Control Booth, Loge II. 2 in side sections, Loge II. (Seats must be pulled in advance.)
   9. Projection:
  1. Sharp XG PH50X DLP video projector (5000 lumens)
  2. Screen: 24' x 18' flying Da-lite.fp. Screen
   10. Road show power disconnect (to be used separately or in conjunction with theatre's light console and PA). Located stage left, stage level, AC 120V - 208V, 3 phase, 4 wire, 600 amps per leg for lighting, 200 amps per leg for sound. Can be fused down with advance notice.
   11. No FOH circuit breakout is available at the present time. All circuits are hardwired into installed dimming system.
   12. Fully networked ethernet "ETCNet v.1", DMX 1 and DMX 2 in and out SR, SL, and at Beam light position. AMX available also.
   13. ETC net interface and RFU at all positions.

H. LIGHTING POSITIONS

Refer to Circuit Diagram for rough locations and circuiting. All measurements are relative to center stage, Proscenium.
   1. Ceiling Beam: 3 ports 90 feet from proscenium at an angle of 40 degrees elevation. Sideports measure 18 feet across opening. Centerport measures 8 feet across opening.
   2. Ante-Proscenium: Four single light ports on each side of house; lowest port at 45 feet to proscenium, 40 degree elevation to 60 feet and 50 degree elevation. Sideports are 60 degrees from centerline and are useable only as cross stage lighting. Eight single light ports are distributed 18 feet either side of centerline, overhead at a 60 degree elevation, 60 feet from stage. These positions will light no further than 8 feet upstage of proscenium.
   3. Box Booms: At 15 feet elevation and 60 degrees from centerline on each side, 35 feet to center, proscenium. Two instruments maximum may be used here. False boxes: At 10 feet elevation, 55 degrees from centerline.
   4.Side Lighting Positions:
  1. Two tier pipe end ladders are available for each end of all three electrics
  2. High side ladders with hanging positions in all four aisles, both sides of stage at 13'6", 11' 6" and 10'.
  3. 10' high booms that extend from stage floor to each high side ladder for linkage. Can be used for hanging instruments as high as 10'-0". Side arms are available.