Platoon (1986)
History of American Involvement
in
Vietnam: 1945-1975
Debating American Involvement
in
Vietnam
The Debate over Robert McNamara's
In Retrospect
Fighting the War in Vietnam
The Vietnam War at Home:
The Struggle over Hearts and Minds


"At the Cannes Film Festival,
Coppola, speaking about his film said "This movie isn't about
Vietnam -- it is Vietnam." The controversy surrounding the
film at the time caused this statement to be disregarded as the
ranting of an egotistical director. But after watching the film,
I understood exactly what he meant. The confusion, the senselessness,
the violence, the otherworldliness of the images Coppola created
-- the horror of it all -- truly captures the reality of war."
Skyler Miller,
"In
Focus: "Apocalypse Now"
Two great books about the Vietnam war and
American culture
The
Things they Carried, by Tim O'Brien
Winners
and Losers, by Gloria Emerson
from "The Hollow Men"
Mistah Kurtz - he dead.
A penny for the Old Guy
We are the hollow men
We are the stuffed men
Leaning together
Headpiece filled with straw. Alas!
Our dried voices, when
We whisper together
Are quiet and meaningless
T.S.
Elliott, The Hollow Man, 1925
"Everywhere in the world where
knowledge is being suppressed,
knowledge that, if it were made known,
would shatter our image of the world
and force us to question ourselves--
everywhere there, Heart of Darkness
is being enacted.
"You already know that. So do I.
What is missing is the courage to
understand what we know and draw
conclusions."
Sven Lindqvist, Exterminate the Brutes
Colonel
Walter E. Kurtz:
I watched a snail crawl along the
edge of a straight razor. That's my
dream, it's my nightmare. Crawling,
slipping along the edge of a straight
razor and surviving....But we must kill
them, we must incinerate them, pig
after pig, cow after cow, village after
village, army after army, and they call
me an assassin. What do you call it
when the assassins accuse the
assassin? They lie. They lie and we
have to be merciful for those who lie,
for those nabobs. I hate them. I do
hate them.
Kurtz: "It's impossible
for words to
describe what is necessary to those
who do not know what horror means.
Horror. Horror has a face, and you
must make a friend of horror. Horror
and moral terror are your friends. If
they are not, then they are enemies
to be feared. They are truly enemies."
Kurtz: "I've seen
the horrors, horrors
that you've seen. But you have no
right to call me a murderer. You have
a right to kill me, you have a right to
do that, but you have no right to
judge me."
Kurtz: "Then I realized
they were
stronger than we. They have the
strength, the strength to do that. If I
had 10 divisions of those men, then
our troubles here would be over very
quickly. You have to have men who
are moral and at the same time who
are able to utilize their primordial
instincts to kill without feeling, without
passion, without judgment."
Kurtz:
"We must kill them. We must
incinerate them. Pig after pig. Cow
after cow. Village after village. Army
after army."
Colonel
Walter E. Kurtz: "The horror.
The horror."
"His was an impenetrable darkness.
I looked at him as you peer down at a man who is lying at the
bottom of a precipice where the sun never shines. But I had not
much time to give him, because I was helping the engine-driver
to take to pieces the leaky cylinders, to straighten a bent connecting-rod,
and in other such matters. I lived in an infernal mess of rust,
filings, nuts, bolts, spanners, hammers, ratchet drills -- things
I abominate, because I don't get on with them. I tended the little
forge we fortunately had aboard; I toiled wearily in a wretched
scrap-heap -- unless I had the shakes too bad to stand.
"One evening coming in with a
candle I was startled to hear him say a little tremulously, 'I
am lying here in the dark waiting for death.' The light was within
a foot of his eyes. I forced myself to murmur, 'Oh, nonsense!'
and stood over him as if transfixed.
"Anything approaching the change
that came over his features I have never seen before, and hope
never to see again. Oh, I wasn't touched. I was fascinated. It
was as though a veil had been rent. I saw on that ivory face the
expression of somber pride, of ruthless power, of craven terror
-- of an intense and hopeless despair. Did he live his life again
in every detail of desire, temptation, and surrender during that
supreme moment of complete knowledge? He cried in a whisper at
some image, at some vision -- he cried out twice, a cry that was
no more than a breath: " 'The horror! The horror!'
Joseph Conrad, "The Heart of Darkness"


1. What does Kurtz mean when
he says:
"I watched a snail crawl along the
edge of a straight razor. That's my dream, it's my nightmare. Crawling,
slipping along the edge of a straight razor and surviving....But
we must kill them, we must incinerate them, pig after pig, cow after
cow, village after village, army after army, and they call me an
assassin. What do you call it when the assassins accuse the assassin?
They lie. They lie and we have to be merciful for those who lie,
for those nabobs. I hate them. I do hate them."
2. Who do you think is more insane Lieutenant Colonel
Kilgore (Robert Duvall) or Colonel Kurtz? Is Kurtz seen as more
insane because he is not following the military's program in Vietnam?
3. Do you agree with Tim Dirks' that Kurtz needs to be killed, not
because he is insane, but because he is a threat to the U.S. military's
understanding of the war:"Kilgore, the
'respectable' side of the Vietnam experience, is ironically contrasted
to the other side of the same coin - Kurtz, the 'barbaric' character
who is the object of the mission. Willard questions what the real
reason might be for the orders to assassinate Kurtz:
"If that's how Kilgore fought the
war, I began to wonder what they really had against Kurtz. It wasn't
just insanity and murder. There was enough of that to go around
for everyone."
4. Why does the military want Willard to assassinate
Kurtz?Captain Benjamin L. Willard: "Terminate
the Colonel.
General Corman:
He's out there operating without any decent restraint, totally beyond
the pale of any acceptable human conduct. And he is still in the field
commanding troops.
Civilian:
Terminate with extreme prejudice."
5. What does Kurtz mean when he tells Willard this: .Colonel
Walter E. Kurtz: "I've seen the horrors, horrors that
you've seen. But you have no right to call me a murderer. You
have a right to kill me, you have a right to do that, but you
have no right to judge me."
6.. Why does Kurtz allow Willard to ritualistically kill him?
The director seems to imply that Willard's killing of Kurtz is
just like the tribesmen's ritual killing of the cow. What does
this have to do with Kurtz's guilt or innocence?
7. What does Kurtz mean when he tells Willard that horror must
be your friend:Colonel Kurtz: "It's
impossible for words to describe what is necessary to those who do
not know what horror means. Horror. Horror has a face, and you
must make a friend of horror. Horror and moral terror are your friends.
If they are not, then they are enemies to be feared. They are
truly enemies."
8. What do you think Kurtz wants Willard to tell his son about
why Kurtz died in Vietnam?
9.. Why do you think Kurtz and his tribesmen army are so vicious
and bloodthirsty? Why do they strew heads, bodies, and torsos
around their camp?
10. Why does Kurtz read T.S.Eliot's poem
"The Hollow Men" aloud? Are Kurtz and Willard and
the rest of the American military "the hollow men"? T.S. Eliot's (1888-1965) Hollow
Men .
11. Do you understand the necessity for Willard's long, slow
trip up the river into Cambodia. Like in the Conrad short story,
"The Heart of Darkness," Willard takes a trip up the river
into the jungle and into the "heart of darkness." What lies at the heart of darkness?
12. What does Kurtz mean when he says
that he realized they were stronger than we are:"Then
I realized they were stronger than we...They have the strength, the
strength to do that. If I had ten divisions of those men, then
our troubles here would be over very quickly. You have to have men
who are moral and at the same time who are able to utilize their primordial
instincts to kill without feeling, without passion, without judgment
- without judgment. Because it's judgment that defeats us."
13. Why does Willard after killing Kurtz put down the machete and
leave the tribesmen rather than becoming their new warrior leader
by replacing Kurtz? Why are the tribesmen willing to let Willard
be their new leader?
14. According to Tim Dirks, in the 70 mm version of the film (for
its initial release), there were no credits for the film - printed
credit booklets were issued to audiences. Two other test endings were
shot for the film:
-
Willard kills Kurtz and remains
in Cambodia in his place.
-
A large-scale airstrike raid is
staged at Kurtz's retreat and the compound is bombed and napalmed
as Willard and Lance start downriver.
Do you think the controversy over the three
possible endings for the movie changes the larger meaning of the film?
15. Would ending the film with Willard calling in an airstrike
and scenes of the village being enveloped in fire radically change
the ending of Apocalypse Now?
16. How does the film's title, Apocalypse
Now, help us understand the larger moral critique of America's
role in Vietnam at the heart of this film?
17. Why does Kurtz write: "Drop the Bomb. Exterminate
them All"? Does he want Willard to destroy his people and
everything in their compound? Is this the apocalypse the film
is driving towards?
18. Can America really destroy Vietnam and its people in
order to save them? By destroying the Vietnamese aren't we undermining
our moral position in the war?
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